1
00:00:25,526 --> 00:00:28,610
[ Man Narrating ] IT WAS
THE LATE '70s, AND EVERYBODY
WAS IN THE MIDDLE OF IT--
2
00:00:28,679 --> 00:00:33,048
OF THE RECESSION, THE MILE-LONG
LINES AT THE STATION,
THE HOSTAGE CRISIS IN IRAN.
3
00:00:34,919 --> 00:00:38,170
WHEN I LOOK BACK AT IT NOW,
IT'S AMAZING I CAN REMEMBER
ANY OF IT.
4
00:00:38,238 --> 00:00:43,308
IT FEELS LIKE SNAPSHOTS
FROM SOMEONE ELSE'S LIFE,
ALL CONNECTED BY ONE MAN.
5
00:00:49,066 --> 00:00:51,399
A GUY NAMED STEVE RUBELL
HAD A DREAM--
6
00:00:51,468 --> 00:00:54,352
TO THROW THE BEST DAMN PARTY
THE WORLD HAD EVER SEEN,
7
00:00:54,421 --> 00:00:56,588
AND THEN MAKE IT LAST FOREVER.
8
00:00:56,657 --> 00:01:00,158
HE BUILT A WORLD WHERE FANTASY
WAS OFFERED UP AS REALITY,
9
00:01:00,227 --> 00:01:03,595
WHERE AN 80-YEAR-OLD
DISCO QUEEN COULD PLAY
TILL DAWN,
10
00:01:03,664 --> 00:01:07,899
WHERE MODELS MINGLED
WITH MECHANICS,
PLUMBERS DANCED WITH PRINCES.
11
00:01:07,968 --> 00:01:11,836
IT WAS A PLACE WHERE ALL LABELS
WERE LEFT BEHIND,
12
00:01:11,905 --> 00:01:14,473
A PLACE WHERE THERE WERE
NO RULES.
13
00:01:16,610 --> 00:01:20,162
♪ BABY, MY HEART IS
FULL OF LOVE ♪
14
00:01:20,230 --> 00:01:22,531
♪ AND DESIRE FOR YOU ♪
15
00:01:22,599 --> 00:01:26,334
♪ NOW COME ON DOWN AND DO
WHAT YOU GOT TO DO ♪
16
00:01:26,403 --> 00:01:29,888
♪ IT'S STARTED THIS FIRE
DOWN IN MY SOUL ♪♪
17
00:01:29,956 --> 00:01:34,325
[ Man ]
IN 1979, I WAS 19 YEARS OLD
AND I HAD NOTHING.
18
00:01:34,394 --> 00:01:37,262
NOW, MY DAD WOULD SAY
I HAD MORE THAN HE DID
AT MY AGE, BUT YOU KNOW WHAT ?
19
00:01:37,331 --> 00:01:40,399
TO ME, FILLIN' GAS TANKS
AT A JERSEY CITY STATION,
20
00:01:40,467 --> 00:01:43,635
GOIN' TO THE SAME DINGY BAR
WITH THE SAME GUYS,
21
00:01:43,703 --> 00:01:46,638
TRYIN' TO PICK UP
ON THE SAME CHICKS
WAS NOT TONS OF FUN.
22
00:01:46,690 --> 00:01:50,225
[ Groaning ]
23
00:01:55,832 --> 00:01:59,434
I CAN'T BELIEVE
YOU CAME ALREADY.
SORRY.
24
00:02:01,438 --> 00:02:03,572
I'M SORRY.
25
00:02:03,640 --> 00:02:07,942
IT'S JUST THAT--
LOOK AT YOU, YOU'RE SO--
26
00:02:08,011 --> 00:02:11,546
Y-YOU WANT TO GO OUT TOMORROW ?
I KNOW THIS PLACE WHERE
THE PIZZA'S DYNAMITE--
27
00:02:11,615 --> 00:02:13,014
[ Zipper Zipping ]
28
00:02:13,083 --> 00:02:17,051
WHAT ?
I'M FROM MONTCLAIR, RIGHT ?
29
00:02:17,120 --> 00:02:20,488
AND YOU'RE
FROM JERSEY CITY.
YEAH
30
00:02:20,557 --> 00:02:24,226
SO, I DON'T GO OUT
WITH GUYS FROM JERSEY CITY.
31
00:02:24,294 --> 00:02:26,494
OH.
32
00:02:27,914 --> 00:02:31,016
I KNEW THE REAL ESCAPE WAS
RIGHT ACROSS THE RIVER.
33
00:02:31,084 --> 00:02:33,818
BUT I DIDN'T EVEN
HAVE A CAR.
34
00:02:33,887 --> 00:02:37,789
EVEN THOUGH NEW YORK WAS
THREE MILES AWAY, IT SEEMED
LIKE ANOTHER WORLD.
35
00:02:37,858 --> 00:02:40,058
I'D BEEN THERE BEFORE
WITH MY MOM.
36
00:02:40,127 --> 00:02:44,813
SHE DID MAKEUP FOR THIS
TELEVISION SHOW AND TOOK ME
TO WORK WITH HER A FEW TIMES.
37
00:02:44,882 --> 00:02:49,334
IT WAS INCREDIBLE.
EVERYONE WANTED TO BE
AROUND THE STARS.
38
00:02:49,403 --> 00:02:51,537
MY MOTHER ALWAYS TOLD ME
I COULD BE ANYTHING
I WANTED TO BE,
39
00:02:51,605 --> 00:02:53,605
AND I BELIEVED HER.
40
00:02:55,376 --> 00:02:57,709
MOM DIED WHEN I WAS 12.
41
00:02:59,547 --> 00:03:03,114
THIS WAS DAD.
HIS IDEA OF THE GOOD LIFE...
42
00:03:03,184 --> 00:03:05,884
WAS A CAN OF SCHLITZ
AND A JACK BENNY SPECIAL
ON THE TUBE.
43
00:03:05,952 --> 00:03:09,188
I HAD TO BREAK OUT.
44
00:03:09,256 --> 00:03:11,856
I KNEW I HAD TO
MAKE A CHANGE.
45
00:03:14,428 --> 00:03:16,895
ALL RIGHT, ALL RIGHT,
ALL RIGHT !
46
00:03:18,999 --> 00:03:20,999
MOVE OVER.
[ Scoffs ]
47
00:03:21,068 --> 00:03:23,068
WHAT ?
WHAT YOU LAUGHIN' AT ?
48
00:03:23,137 --> 00:03:25,137
WHAT'S WITH THE HAIR ?
WHAT DO YOU GOT,
THE NEW LOOK ?
49
00:03:25,205 --> 00:03:27,839
LOOK AT THIS GUY !
LOOK AT THIS GUY !
WHERE'S MY HAIR ?
50
00:03:27,908 --> 00:03:32,044
WHAT ARE YOU TALKIN' ABOUT ?
[ Laughs ]
YOU LOOK LIKE VIDAL SASSOON.
51
00:03:32,112 --> 00:03:35,113
IF YOU DON'T LOOK GOOD--
[ Together ]
WE DON'T LOOK GOOD.
52
00:03:35,165 --> 00:03:39,200
♪♪ [ Disco ]
53
00:03:50,046 --> 00:03:54,215
SHIT.
I SHOULD HAVE BROUGHT ALONG
MY BROTHER'S PLATFORMS.
54
00:03:54,284 --> 00:03:56,451
DO I LOOK SHORT ?
NO, YOU LOOK ALL RIGHT.
FIX YOUR COLLAR.
55
00:03:56,520 --> 00:03:58,586
I DON'T KNOW, MAN.
56
00:03:58,655 --> 00:04:02,023
YOU BETTER HAVE PUT ON
NEW UNDERWEAR.
GET THE FUCK OUTTA HERE !
57
00:04:02,091 --> 00:04:04,091
HEY, YOU GUYS,
YOU GUYS, YOU GUYS.
58
00:04:04,160 --> 00:04:08,229
BEFORE WE GO IN,
CHECK IT OUT.
59
00:04:08,298 --> 00:04:10,482
OH, TAKE ME HOME BA--
WHO ARE THEY ?
60
00:04:10,551 --> 00:04:12,617
THAT ONE'S JULIE BLACK
FROM ALL MY CHILDREN.
SHE'S MY FUCKIN' DREAM GIRL.
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00:04:12,686 --> 00:04:16,304
JULIE BLACK.
SHE'S FROM ALPINE.
MY AUNT DOES HER MA'S HAIR.
62
00:04:16,372 --> 00:04:18,339
SAW HER ONCE, TOO,
HANGIN' OUT
AT THE ALPINE INN.
63
00:04:18,408 --> 00:04:21,142
ALPINE INN ?
WE SHOULD STAKE HER OUT.
64
00:04:21,211 --> 00:04:24,179
[ Scoffs ]
WHERE WAS THIS
TAKEN, ANYWAY ?
65
00:04:24,247 --> 00:04:26,414
54.
66
00:04:26,500 --> 00:04:29,300
YOU KNOW, STUDIO 54.
AIN'T YOU NEVER
HEARD OF IT ?
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00:04:29,353 --> 00:04:31,285
THAT PLACE
IS FULL OF FREAKS.
AND GIRLS.
68
00:04:31,355 --> 00:04:33,287
AND FAGS.
COME ON, YOU GUYS.
69
00:04:33,357 --> 00:04:37,992
LISTEN, YOU KNOW
WHO WAS THERE LAST NIGHT ?
JACQUELINE BISSET.
70
00:04:38,061 --> 00:04:40,528
YOU KNOW WHO SHE IS ?
YEAH, I FUCKED HER.
71
00:04:40,597 --> 00:04:42,764
[ Laughs ]
[ Laughs ]
72
00:04:42,833 --> 00:04:45,767
ALL RIGHT, YOU TURKEYS
CAN STAY HERE AND ROT,
FOR ALL I CARE,
73
00:04:45,836 --> 00:04:48,936
BUT I'M GONNA GO SEE
IF I CAN GET A LOOK
AT OLIVIA.
74
00:04:49,005 --> 00:04:50,839
[ Together ]
OLIVIA NEWTON-JOHN ?
75
00:04:50,907 --> 00:04:52,674
OW-OOOH !
WE AIN'T THERE YET ?
76
00:04:52,743 --> 00:04:57,378
♪ B-B-B-BABY, YOU JUST
AIN'T SEEN NOTHIN' YET ♪
FUCK YOU, JERSEY !
77
00:04:57,447 --> 00:05:01,282
♪ HERE'S SOMETHIN' THAT
YOU'RE NEVER GONNA FORGET ♪
78
00:05:01,351 --> 00:05:05,169
♪ B-B-B-B-BABY, YOU JUST
AIN'T SEEN N-N-NOTHIN' YET ♪
[ Horns Honking ]
79
00:05:05,238 --> 00:05:07,521
♪ LISTEN
YOU AIN'T BEEN AROUND ♪
SHIT.
80
00:05:07,590 --> 00:05:09,675
WE'LL SAVE YOU
A PLACE IN LINE.
HEY, WAIT !
81
00:05:09,743 --> 00:05:12,044
YOU M--
YOU GONNA LEAVE ME
HERE WITH THESE FREAKS ?
82
00:05:12,112 --> 00:05:15,964
[ Horns Honking ]
[ Chattering ]
83
00:05:16,050 --> 00:05:21,353
[ Crowd Clamoring ]
♪ B-B-B-B-BABY, YOU JUST
AIN'T SEEN N-N-NOTHIN' YET ♪
84
00:05:21,422 --> 00:05:24,539
♪ HERE'S SOMETHIN'
YOU'RE NEVER GONNA FORGET ♪
STEP BACK.
85
00:05:24,608 --> 00:05:28,927
♪ YOU JUST AIN'T SEEN
NOTHIN' YET ♪♪
[ Together ] HEY !
86
00:05:28,996 --> 00:05:33,531
[ Shane Narrating ]
A LOT OF PEOPLE THOUGHT THE DOOR
WAS A BETTER SHOW THAN INSIDE.
87
00:05:33,584 --> 00:05:36,017
PEOPLE WOULD TRY ANYTHING
TO GET IN.
88
00:05:36,086 --> 00:05:40,205
MARK WAS THE DOORMAN,
BUT IT WAS STEVE RUBELL'S CLUB
AND HIS DOOR.
89
00:05:40,273 --> 00:05:43,925
I CAN'T LET YOU IN HERE.
YOU'RE WEARING AN ASCOT.
YOU LOOK LIKE AN ASSHOLE.
90
00:05:43,994 --> 00:05:46,527
[ Both Laugh ]
[ Shane ] HE WAS OUT IN FRONT
EVERY NIGHT...
91
00:05:46,596 --> 00:05:48,663
MAKING SURE ONLY
THE RIGHT PEOPLE GOT IN.
92
00:05:48,732 --> 00:05:50,731
NO. GO HOME.
SORRY. NO.
93
00:05:50,800 --> 00:05:53,101
HEY, COME ON !
[ Steve ]
OVER THERE.
94
00:05:57,907 --> 00:06:00,675
EXCUSE ME.
HE JUST POINTED AT US.
95
00:06:00,761 --> 00:06:03,628
EXCUSE ME.
WHOOO !
96
00:06:03,697 --> 00:06:06,131
OKAY, JUST YOU.
WHAT ?
SAY WHAT ?
97
00:06:06,200 --> 00:06:08,299
JUST YOU, NOT HIM.
98
00:06:08,368 --> 00:06:10,335
LADIES--
HEY, MAN, HE'S MY FRIEND.
YOU CAN'T--
99
00:06:10,403 --> 00:06:13,921
GIRLS, PLEASE,
STAND BACK, PLEASE.
STEP BACK, PLEASE.
100
00:06:13,991 --> 00:06:16,241
STEP BACK.
101
00:06:16,309 --> 00:06:20,328
OH, MY GOD.
DON'T BE A SPAZ, MAN.
GO FOR IT.
102
00:06:20,396 --> 00:06:22,463
ALL RIGHT,
BUT DON'T WAIT FOR ME.
I'LL FIND MY WAY HOME.
103
00:06:22,532 --> 00:06:27,135
OKAY, YOU GUYS,
COME ON.
[ Whispers ]
GO IN, GO IN.
104
00:06:27,203 --> 00:06:32,206
PLEASE. HEY !
GET YOUR FUCKIN' HANDS OFF ME,
YOU JIVE-ASS TURKEY !
105
00:06:33,843 --> 00:06:36,395
FUCKIN' GORILLA !
FUCK YOU !
SORRY, GUY.
106
00:06:36,463 --> 00:06:39,030
[ Woman ]
STEVE ! HEY, STEVE !
WHAT ?
107
00:06:39,099 --> 00:06:41,767
NOT WITH THAT SHIRT.
[ Scoffs ]
108
00:06:41,835 --> 00:06:44,602
HEY !
109
00:06:44,671 --> 00:06:46,838
I SAID,
NOT WITH THAT SHIRT.
110
00:06:48,809 --> 00:06:50,809
[ Man In Crowd ]
THAT'S YOUR TICKET IN, MAN.
111
00:06:57,484 --> 00:07:00,585
[ Crowd Cheering ]
112
00:07:04,091 --> 00:07:06,858
[ Woman In Crowd ]
YOU'RE HOT !
113
00:07:06,927 --> 00:07:10,328
[ Man In Crowd ]
THAT'S HOW YOU GET IN.
WELCOME TO MY PARTY, HANDSOME.
114
00:07:12,232 --> 00:07:15,066
[ Friend ]
GO FOR IT, SHANE !
115
00:07:15,135 --> 00:07:19,203
[ Shane ] HE CHOSE ME.
I'D NEVER BEEN CHOSEN
FOR ANYTHING BEFORE.
116
00:07:19,272 --> 00:07:21,756
♪♪ [ Music Playing
In Distance ]
117
00:07:31,667 --> 00:07:34,185
YOU WANNA CHECK
THAT BOD, SUGAR ?
118
00:07:34,254 --> 00:07:36,905
[ Giggles ]
119
00:07:49,920 --> 00:07:53,071
♪♪ [ Disco ]
120
00:08:38,018 --> 00:08:40,352
[ Moaning ]
121
00:08:40,420 --> 00:08:44,422
♪ OOH AAH ♪
122
00:08:44,490 --> 00:08:49,527
[ Moaning ]
123
00:08:49,596 --> 00:08:57,385
♪ OOH AAH ♪
♪ KEEP ME DANCIN' ♪
124
00:08:57,454 --> 00:09:05,076
♪ FUNKY, FUNKY, FUNKY MUSIC
MY BODY, MAKE IT FUNKY ♪
125
00:09:05,144 --> 00:09:09,130
♪ GOTTA FEELIN'
LIKE I WANT TO FLY ♪
126
00:09:09,198 --> 00:09:13,818
[ Moaning Continues ]
127
00:09:26,366 --> 00:09:30,251
[ Thunder Crashes,
Music Stops ]
MIRROR, MIRROR ON THE WALL.
128
00:09:30,320 --> 00:09:32,620
WHO'S THE FAIREST
OF THEM ALL ?
129
00:09:32,688 --> 00:09:36,107
TRUMAN ? TRUMAN CAPOTE,
WHERE ARE YOU ?
130
00:09:36,175 --> 00:09:39,811
HERE, SUGAR !
[ Laughs ]
THERE YOU ARE.
131
00:09:39,880 --> 00:09:43,281
IN HONOR OF THE FANTASTIC
NEW FACE LIFT,
132
00:09:43,349 --> 00:09:47,585
I THOUGHT I'D GET YOU
A COUPLE OF THINGS.
[ Chuckles ]
133
00:09:47,654 --> 00:09:52,056
[ Steve Chuckles ]
[ Audience Laughing ]
134
00:10:00,000 --> 00:10:02,850
[ Chuckles ]
135
00:10:04,087 --> 00:10:07,855
AND-- AND TO MAKE SURE
THAT THE LIFT STICKS,
136
00:10:07,924 --> 00:10:11,292
I THOUGHT WE SHOULD ALL
"KNOCK ON WOOD."
137
00:10:11,361 --> 00:10:14,846
[ Explosion ]
♪♪ [ "Knock On Wood" ]
138
00:10:14,915 --> 00:10:17,748
♪ AHH ♪
139
00:10:19,435 --> 00:10:21,820
♪ OOH-OOH ♪
140
00:10:24,357 --> 00:10:26,524
♪ MMMMM ♪
141
00:10:26,592 --> 00:10:29,510
♪ OH, YEAH, OH, YEAH ♪
142
00:10:29,579 --> 00:10:32,880
♪ OH ♪
143
00:10:32,966 --> 00:10:35,066
♪ I DON'T WANT TO LOSE ♪
144
00:10:35,134 --> 00:10:39,220
♪ THIS GOOD THING
THAT I GOT ♪
145
00:10:39,288 --> 00:10:41,672
♪ 'CAUSE IF I DO ♪
146
00:10:41,725 --> 00:10:43,724
♪ I WOULD SURELY ♪
147
00:10:43,793 --> 00:10:46,610
♪ SURELY LOSE A LOT ♪
148
00:10:46,679 --> 00:10:50,631
♪ 'CAUSE YOUR LOVE
IS BETTER ♪
149
00:10:50,700 --> 00:10:52,967
♪ THAN ANYTHING I KNOW ♪
150
00:10:53,036 --> 00:10:57,739
♪ IT'S LIKE THUNDER
LIGHTNING ♪
151
00:10:57,807 --> 00:11:00,341
♪ THE WAY YOU LOVE ME
IS FRIGHTENING ♪
152
00:11:00,410 --> 00:11:04,328
♪ I BETTER KNOCK ON WOOD ♪
153
00:11:07,000 --> 00:11:10,568
♪ SAID I BETTER
KNOCK, KNOCK, KNOCK ON ♪
154
00:11:10,636 --> 00:11:13,071
♪ OH, BABY ♪
155
00:11:13,139 --> 00:11:16,107
♪ I BELIEVE I WILL ♪
156
00:11:16,176 --> 00:11:17,859
♪ I BELIEVE I WILL ♪
157
00:11:17,927 --> 00:11:20,612
♪ THINK I BETTER KNOCK
KNOCK, KNOCK ON WOOD ♪
158
00:11:20,680 --> 00:11:25,950
♪ IT'S LIKE THUNDER
LIGHTNING ♪
159
00:11:26,019 --> 00:11:28,219
♪ THE WAY YOU LOVE ME
IS FRIGHTENING ♪
WHOOO !
160
00:11:28,287 --> 00:11:31,188
♪ YOU BETTER KNOCK, KNOCK
KNOCK, KNOCK ♪
161
00:11:31,257 --> 00:11:34,492
♪ ON WOOD, YEAH, BABY ♪
162
00:11:34,561 --> 00:11:38,095
♪ OH, YEAH ♪
163
00:11:38,148 --> 00:11:40,381
♪ I BETTER KNOCK ON WOOD
BABE ♪
164
00:11:40,450 --> 00:11:45,236
♪ I BELIEVE I WILL
I BELIEVE I WILL ♪
165
00:11:45,305 --> 00:11:47,972
♪ KNOCK, KNOCK, KNOCK
ON WOOD ♪
166
00:11:48,041 --> 00:11:51,776
♪ I BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪♪
167
00:11:55,515 --> 00:11:57,648
WELL, THE THING
ABOUT STARS IS,
THEY'RE SHORT.
168
00:11:57,717 --> 00:11:59,650
YOU TALK TO ANY OF 'EM ?
KIND OF.
169
00:11:59,719 --> 00:12:01,652
LIKE WHO ?
WHO ?
170
00:12:01,721 --> 00:12:04,455
LIKE-- I DON'T KNOW,
BUT YOU SHOULD HAVE SEEN
ALL THE PHOTOGRAPHERS.
171
00:12:04,523 --> 00:12:06,958
I BET YOU I EVEN GOT IN
ONE OF THEIR PICTURES.
172
00:12:07,026 --> 00:12:09,794
THINK FARRAH
EVER GOES THERE ?
MAYBE.
173
00:12:09,863 --> 00:12:11,863
AND LEE MAJORS ?
PROBABLY.
174
00:12:11,931 --> 00:12:14,516
- WHAT ABOUT PRINCESS GRACE ?
- SURE, I BET SHE GOES
ALL THE TIME.
175
00:12:14,584 --> 00:12:17,118
REALLY ? MAYBE WE CAN
TOUCH HER WHEN SHE GOES BY.
176
00:12:17,187 --> 00:12:19,603
AND WE'LL TELL HER THAT MOM
NAMED US AFTER HER.
[ Man ] HEY, KIDS !
177
00:12:19,672 --> 00:12:21,505
HEY, DAD.
178
00:12:21,574 --> 00:12:26,177
- WHAT ?
- HEY, DAD, CAN I BORROW
THE KEYS TONIGHT ?
179
00:12:26,246 --> 00:12:28,913
WHAT FOR ?
SHANE WAS IN THE CITY LAST NIGHT
AND HE WANTS TO GO BACK.
180
00:12:28,982 --> 00:12:32,416
THE CITY ?
YEAH, SHANE WAS JUST
TELLING US...
181
00:12:32,485 --> 00:12:35,052
HOW HE WENT TO STUDIO 54
LAST NIGHT.
182
00:12:35,121 --> 00:12:38,522
STUDIO 54 ?
THAT'S THAT BIG DISCO
EVERYBODY'S TALKING ABOUT.
183
00:12:38,591 --> 00:12:41,025
WHERE ALL THE STARS GO.
YEAH, DAD,
YOU SHOULDA SEEN IT.
184
00:12:41,094 --> 00:12:43,394
HEY, I SAW A STAR ONCE--
BOB HOPE.
185
00:12:43,462 --> 00:12:46,264
DID YOU SEE HIM THERE ?
[ Laughs ]
186
00:12:46,332 --> 00:12:49,717
THANKS FOR THE MEMORIES,
DAD, BUT IT WASN'T
A KOREAN WAR SHOW.
187
00:12:49,786 --> 00:12:51,886
YEAH.
188
00:13:00,497 --> 00:13:03,665
- WHAT ELSE, SHANE ?
- WELL, I WENT UP
INTO THE BALCONY.
189
00:13:03,733 --> 00:13:05,766
IT WAS PRETTY--
190
00:13:09,272 --> 00:13:12,039
IT WAS PRETTY... DARK.
191
00:13:19,966 --> 00:13:22,199
[ Shouting ]
192
00:13:27,190 --> 00:13:29,190
[ Snoring ]
193
00:13:50,497 --> 00:13:53,764
THE GIRL WHO CUT MY HAIR HAD
THIS BOYFRIEND WHOSE SISTER DID
THE BOOKS FOR STEVE RUBELL...
194
00:13:53,833 --> 00:13:56,100
AND GOT ME AN INTERVIEW.
195
00:13:56,169 --> 00:14:01,739
STEVE RUBELL, A REGULAR
BROOKLYN KID WHO GOT HIS START
BY RUNNING A FEW STEAK HOUSES,
196
00:14:01,808 --> 00:14:03,741
WAS NOW ON TOP
OF THE WORLD.
197
00:14:03,810 --> 00:14:06,243
HE'S RIGHT OUT THERE
IN THE HALLWAY IF YOU
WANT TO SEE HIM FOR YOURSELF.
198
00:14:06,312 --> 00:14:08,779
HE'S GORGEOUS ?
HE'S GORGEOUS.
LOOK FOR YOURSELF.
199
00:14:08,848 --> 00:14:11,148
[ Shane ] I WAS WARNED
THAT STEVE DIDN'T HIRE
ANY DUMMIES,
200
00:14:11,217 --> 00:14:14,719
AND I SHOULD BE ON MY TOES
BECAUSE HE COULD ASK SOME
REALLY TRICKY QUESTIONS.
201
00:14:14,787 --> 00:14:17,054
WHAT'S TWO PLUS TWO ?
HUH ?
202
00:14:17,123 --> 00:14:20,591
YOU'LL BE FINE.
YOU'RE RIGHT, HE'S GORGEOUS.
203
00:14:20,660 --> 00:14:23,528
COME ON IN.
204
00:14:23,596 --> 00:14:26,480
WHERE DO BAD LITTLE BARTENDERS
GO IF THEY DON'T GO
TO HELL FIRST ?
205
00:14:26,549 --> 00:14:29,684
[ All ] XENON.
RIGHT. A FATE
WORSE THAN DEATH.
206
00:14:29,753 --> 00:14:35,489
SO, AS OF TONIGHT,
THE NEW BARTENDER
WILL BE...
207
00:14:36,860 --> 00:14:39,994
RHETT.
CHOICE.
208
00:14:40,063 --> 00:14:42,930
OH, AND WE GOT A NEW BUSBOY.
HIS NAME IS SHANE.
209
00:14:42,999 --> 00:14:46,100
SHANE !
SHANE, COME HERE,
COME HERE.
210
00:14:47,570 --> 00:14:50,571
[ Group Laughs ]
[ Steve Chuckles ]
211
00:14:50,640 --> 00:14:53,274
COULDN'T FIND
THE RIGHT SIZE.
212
00:14:53,342 --> 00:14:57,812
AND REMEMBER, IT'S YOU BOYS
WHO ARE TRULY...
213
00:14:57,881 --> 00:14:59,964
NEW YORK'S FINEST.
214
00:15:01,100 --> 00:15:03,968
ONE CHABLIS.
HEY, KID !
215
00:15:06,239 --> 00:15:10,341
- CHABLIS.
- SO, UH,
WHAT'LL IT BE ?
216
00:15:11,544 --> 00:15:14,412
WHAT'LL IT BE ?
[ Chuckles ]
217
00:15:14,480 --> 00:15:16,780
WHERE DID THEY GET YOU, ROCKY ?
PHILADELPHIA ?
218
00:15:16,849 --> 00:15:18,950
NO TALKIN' TO THE ANIMALS,
BUSBOY.
219
00:15:19,018 --> 00:15:21,218
HANG IN THERE, BABY.
220
00:15:24,223 --> 00:15:26,958
GREG, MAN, CAN YOU
HELP ME PLEASE ?
221
00:15:27,026 --> 00:15:28,993
THIS IS HOW
IT WORKS.
222
00:15:29,062 --> 00:15:31,495
KEEP THE BOTTLES
AND THE GLASSES
OFF THE DANCE FLOOR.
223
00:15:31,564 --> 00:15:34,632
NOW, REMEMBER, KEEP
THE CHAMPAGNE COLD,
AND KEEP IT FLOWING.
224
00:15:34,701 --> 00:15:36,667
YOU GOTTA PAY ATTENTION
TO THE V.I.P. AREA.
STEVE DOESN'T WANT 'EM...
225
00:15:36,720 --> 00:15:39,170
EVER TO HAVE TO POUR CHAMPAGNE
THEMSELVES.
226
00:15:39,238 --> 00:15:41,538
NOW, LISTEN UP.
227
00:15:41,607 --> 00:15:44,475
AFTER EVERYBODY'S ALL GONE,
YOU CHECK THE BANQUETTES.
228
00:15:44,543 --> 00:15:46,861
WE USUALLY FIND
SOME PRETTY GOOD STUFF.
229
00:15:46,930 --> 00:15:49,496
IS THAT JULIE BLACK ?
230
00:15:49,566 --> 00:15:52,633
THINK SO.
READY ?
YEAH.
231
00:15:52,702 --> 00:15:56,037
[ Shane ]
THERE SHE WAS-- JULIE BLACK.
232
00:15:56,105 --> 00:16:00,708
MAN, SHE LOOKED EVEN BETTER
IN PERSON THAN ON TV.
233
00:16:00,777 --> 00:16:03,410
SHE WAS FROM JERSEY, TOO,
AND SHE'D MADE IT.
234
00:16:08,785 --> 00:16:12,920
YOU KNOW, I REALLY
GOTTA GET OUTTA HERE
AND GET SOME SLEEP.
235
00:16:12,989 --> 00:16:16,457
STEVIE KNEW THAT WE HAVE
NO ROYALTY IN THIS COUNTRY--
WE HAVE CELEBRITY.
236
00:16:16,525 --> 00:16:20,011
IF HE COULD PROVIDE THE
OPPORTUNITY FOR REGULAR PEOPLE
TO DANCE WITH THE FAMOUS,
237
00:16:20,080 --> 00:16:22,213
STUDIO WOULD BE
ONE OF A KIND.
238
00:16:22,265 --> 00:16:25,016
AND I WAS SUCH A DUMB KID.
I MEAN, ALL THESE FAMOUS PEOPLE,
239
00:16:25,085 --> 00:16:27,868
AND I DIDN'T KNOW
WHO ANY OF THEM WERE,
AND THEY'D ALL GO,
240
00:16:27,937 --> 00:16:31,989
"TRUMAN, OH, TRUMAN,"
AND I'D BE THINKIN',
"WHO THE FUCK IS TRUMAN ?"
241
00:16:32,058 --> 00:16:34,992
HEY, FIORUCCI !
HOW ARE YOU ?
242
00:16:35,061 --> 00:16:37,628
YOU KNOW, I'M SUCH
A BIG FAN OF YOURS.
YOUR WINDOWS ARE GREAT.
243
00:16:37,697 --> 00:16:40,565
GRAZIE.
THANK YOU.
GREAT.
244
00:16:40,633 --> 00:16:44,168
[ Speaks In Italian ]
245
00:16:44,237 --> 00:16:47,638
YOU'RE SO ITALIAN
AND ADORABLE, I WANNA
EAT YOU WITH A SPOON.
246
00:16:48,841 --> 00:16:50,841
COME WITH ME.
247
00:17:04,023 --> 00:17:06,006
♪ OH ♪
248
00:17:36,105 --> 00:17:39,323
[ Moans ]
249
00:17:47,467 --> 00:17:49,700
YOU KNOW, I'D SAY
IT WAS THIS BIG.
250
00:17:49,769 --> 00:17:51,536
OH, STOP.
NO, AT LEAST.
251
00:17:51,604 --> 00:17:55,940
DID YOU GET HIS NUMBER ?
IT AIN'T THE SIZE OF THE SHIP,
IT'S THE MOTION OF THE OCEAN.
252
00:17:56,008 --> 00:17:58,242
DID YOUR MOTHER TEACH
YOU THAT ?
HIS FATHER.
253
00:17:58,311 --> 00:18:00,945
[ Group Laughs ]
HE SOUNDS KINDA DEFENSIVE
TO ME.
254
00:18:01,013 --> 00:18:03,381
HEY, I THINK WE'RE
FREAKING THE NEW KID OUT.
255
00:18:03,450 --> 00:18:07,751
HEY, HOW'D YOU DO TONIGHT ?
GOOD. I MADE
QUITE A BIT, I THINK.
256
00:18:07,820 --> 00:18:12,290
HE DOESN'T MEAN THE TIPS.
YOU WENT UP TO THE BALCONY
WITH PATTI, HMM ?
257
00:18:12,358 --> 00:18:14,959
WORD GETS AROUND FAST,
I GUESS.
258
00:18:15,027 --> 00:18:19,197
SO, DID SHE
DO THE ACCENT ?
UM, SO HOW WAS SHE ?
259
00:18:19,265 --> 00:18:22,233
REALLY GREAT, YOU KNOW.
SHE'S A MODEL.
260
00:18:22,302 --> 00:18:24,969
REALLY ?
HAVE WE SEEN HER
IN ANYTHING ?
261
00:18:25,037 --> 00:18:28,772
- YEAH, VOGUE.
FRENCH VOGUE.
- [ Group Laughs ]
262
00:18:28,841 --> 00:18:30,841
YEAH, SHE TOLD ME COSMO.
263
00:18:30,910 --> 00:18:32,977
SHE TOLD ME
WOMEN'S WEAR DAILY.
HEY, LISTEN,
264
00:18:33,045 --> 00:18:34,979
I DON'T CARE IF IT WAS
SEARS AND ROEBUCK.
IT WAS HOT.
265
00:18:35,047 --> 00:18:39,250
SHE TOLD YOU
WOMEN'S WEAR DAILY ?
STOP !
266
00:18:39,319 --> 00:18:41,352
OOH, I FEEL A FIGHT
COMIN' ON.
267
00:18:41,421 --> 00:18:44,622
[ Greg ]
NO, NO WAY, SISTER.
268
00:18:44,690 --> 00:18:47,091
- AND THE EXTRA PLATE.
- [ Group ] YEAH.
269
00:18:47,160 --> 00:18:49,994
ALL RIGHT,
COUGH IT UP.
THERE WE GO.
270
00:18:50,062 --> 00:18:52,396
[ Greg ] HEY, DON'T TAKE
ANYTHING UNTIL EVERYBODY
PUTS THEIR STUFF DOWN.
271
00:18:54,200 --> 00:18:57,801
- DIDN'T YOU GET ANYTHING ?
- OH, WAIT.
272
00:18:59,405 --> 00:19:03,707
- [ Group Murmurs ]
- HELLO, FRIEND.
273
00:19:03,776 --> 00:19:07,578
[ Group Laughs ]
274
00:19:10,883 --> 00:19:13,851
[ Shane ] SOMETIMES YOU MEET
PEOPLE, AND RIGHT AWAY
THEY FEEL LIKE FAMILY.
275
00:19:13,903 --> 00:19:16,937
[ Shane ]
YOU'RE KIDDIN' ME.
NO.
276
00:19:17,006 --> 00:19:19,507
[ Shane ]
THAT'S HOW IT WAS
WITH GREG AND ANITA.
277
00:19:19,575 --> 00:19:22,410
SHE WANTED TO BE
THE NEXT DONNA SUMMER.
278
00:19:22,478 --> 00:19:25,379
GREG WANTED TO GET AHEAD
BUT WASN'T SURE HOW.
279
00:19:25,448 --> 00:19:27,815
OH, LOOKS LIKE YOUR WEDDING
WAS DYNAMITE !
280
00:19:27,884 --> 00:19:33,421
♪♪ [ Soft ]
OH, PUT THIS AWAY.
281
00:19:33,489 --> 00:19:37,725
THIS IS ANITA'S STUDIO.
FAR OUT.
282
00:19:37,794 --> 00:19:40,528
- WHAT'S THIS ?
- [ Anita ] OH, THESE ARE
JUST FOR MOTIVATION,
283
00:19:40,596 --> 00:19:43,414
LIKE WHEN YOU PUT
A PICTURE OF A FAT PERSON
ON THE FRIDGE.
284
00:19:43,482 --> 00:19:46,016
SO PLAY ME SOMETHING.
YEAH, SHE'S SO UNBELIEVABLE.
285
00:19:46,085 --> 00:19:49,186
HONEY, PLAY SOMETHING FOR HIM.
OH, NO, NO,
I'M REALLY TIRED.
286
00:19:49,255 --> 00:19:52,623
I'M REALLY, REALLY TIRED.
I MEAN, I'VE BEEN SCREAMING
ALL NIGHT.
287
00:19:55,361 --> 00:19:58,161
OKAY, I'LL PLAY
SOMETHING SIMPLE.
288
00:20:00,783 --> 00:20:02,800
♪♪ [ Latin Beat ]
289
00:20:08,090 --> 00:20:10,591
♪♪ [ Sings In Spanish ]
290
00:20:38,037 --> 00:20:39,903
♪♪ [ Stops ]
I CAN'T DO THIS.
291
00:20:39,972 --> 00:20:42,289
THAT WAS EXCELLENT.
292
00:20:42,357 --> 00:20:45,276
NO, IT WASN'T.
293
00:20:46,679 --> 00:20:48,846
SHANE, FOLLOW ME.
294
00:20:55,938 --> 00:20:59,340
- THIS PLACE IS BAD, MAN.
- YOU CAN JUST STAY
AS LONG AS YOU WANT.
295
00:21:00,442 --> 00:21:03,244
- REALLY ?
- MI CASA ES TU CASA.
296
00:21:03,312 --> 00:21:08,115
AND IN MI CASA, THERE ARE
THREE BASIC FOOD GROUPS--
297
00:21:08,184 --> 00:21:11,285
SOLIDS, LIQUIDS
AND HOT SMOKE.
298
00:21:11,354 --> 00:21:14,338
♪ OOH, YEAH ♪
299
00:21:15,725 --> 00:21:18,292
♪ I'M JUST A LOVE MACHINE ♪
300
00:21:18,360 --> 00:21:20,661
♪ AND I WON'T WORK
FOR NOBODY BUT YOU ♪
301
00:21:20,730 --> 00:21:24,881
WHAT WILL IT BE ?
WHAT WILL IT BE ?
♪ I'M JUST A LOVE MACHINE ♪♪
302
00:21:26,352 --> 00:21:28,819
CAN I HELP YOU ?
303
00:21:28,887 --> 00:21:30,854
YEAH.
CAN I HELP YOU ?
304
00:21:30,923 --> 00:21:32,923
I AM LOOKING
FOR AMERICAN FOXES...
305
00:21:32,992 --> 00:21:36,560
FOR THEIR BIG
AMERICAN BREASTS.
306
00:21:36,628 --> 00:21:41,282
[ Shane ] I COULDN'T BELIEVE
ALL THE SHIT GREG TOLD ME
WAS GOING ON AT THE CLUB.
307
00:21:41,367 --> 00:21:44,901
BARTENDERS, THEY HAD IT MADE.
DRUGS, SEX, CONNECTIONS, MONEY.
308
00:21:44,971 --> 00:21:48,472
THERE WAS AN ENDLESS SUPPLY
COMING ACROSS THE BAR.
309
00:21:48,540 --> 00:21:50,507
GREG TOLD ME THAT
HALFWAY THROUGH THE NIGHT,
310
00:21:50,576 --> 00:21:53,010
STEVE HAD THE BARTENDERS DUMP
THE CASH, SEND IT DOWNSTAIRS...
311
00:21:53,079 --> 00:21:55,245
AND CHANGE THE TAPE
IN THE REGISTERS.
312
00:21:55,314 --> 00:21:57,565
IT WAS A SKIM JOB STRAIGHT OUT
OF A VEGAS CASINO,
313
00:21:57,633 --> 00:22:00,451
AND STEVE RUBELL WAS MAKING
A FORTUNE OFF OF IT.
314
00:22:01,487 --> 00:22:03,854
GREG WAS ON GARBAGE DETAIL.
ANTHONY !
315
00:22:03,922 --> 00:22:07,557
HE'D TAKE IT OUT THE BACK DOOR
AND GIVE IT TO THIS GUY ANTHONY
HE CALLED THE GARBAGE MAN.
316
00:22:07,626 --> 00:22:09,593
[ Man ]
HEY, PAISANO !
317
00:22:09,661 --> 00:22:12,796
HOW YOU DOIN' ?
[ Laughs ] I REALLY SCORED
TONIGHT, DIDN'T I ?
318
00:22:12,865 --> 00:22:16,700
[ Shane ]
GREG TOLD ME EVERYTHING.
ALL RIGHT, COWGIRL.
319
00:22:16,768 --> 00:22:18,768
PUT THAT ON THERE.
EASY, EASY.
320
00:22:18,837 --> 00:22:21,571
WHOA !
[ Laughs ]
321
00:22:21,640 --> 00:22:24,808
IS IT ALL THERE ?
YEAH, COUNT IT.
322
00:22:24,877 --> 00:22:27,044
OH !
HOW MUCH THEY PAY YOU
TO WAIT AROUND FOR ME ?
323
00:22:27,113 --> 00:22:29,513
ENOUGH.
YEAH ?
YOU'RE ITALIAN, RIGHT ?
324
00:22:29,581 --> 00:22:31,581
RIGHT ON.
YEAH ?
325
00:22:31,650 --> 00:22:34,284
YOU EVER NEED
TO INCREASE YOUR PAYCHECK,
YOU COME TO ME.
326
00:22:34,353 --> 00:22:37,221
I GOT THE BEST PARTY FAVORS
IN THE PLACE.
327
00:22:37,289 --> 00:22:39,689
ALL RIGHT ?
YEAH.
328
00:22:41,693 --> 00:22:43,693
[ Grunts ]
YEAH !
OOH !
329
00:22:47,366 --> 00:22:50,200
YOU, UH-- GREG.
330
00:22:50,269 --> 00:22:52,302
TAKE IT.
UH, BUT I HAVE TO--
331
00:22:52,371 --> 00:22:54,938
GIVE IT TO HIM.
332
00:22:55,007 --> 00:22:57,674
COME ON !
YOU'VE-- YOU'VE...
333
00:22:57,743 --> 00:23:01,945
NEVER SEEN MY PALACE.
[ Chuckles ]
334
00:23:11,374 --> 00:23:13,374
[ Mumbles Incoherently ]
335
00:23:16,279 --> 00:23:18,279
EMPTY IT.
336
00:23:21,817 --> 00:23:24,017
GO AHEAD, GO AHEAD.
337
00:23:37,733 --> 00:23:39,733
MMM.
338
00:23:49,245 --> 00:23:51,245
[ Sighs ]
339
00:23:52,881 --> 00:23:57,218
RHETT, THE BRAND NEW
BARTENDER, QUIT.
340
00:23:58,654 --> 00:24:00,587
THINKS HE'S GONNA MODEL.
341
00:24:00,656 --> 00:24:03,791
REALLY ?
YEAH.
342
00:24:03,859 --> 00:24:06,960
HE, UH,
MET SCAVULLO,
343
00:24:07,046 --> 00:24:09,763
AND HE THINKS
HE'S GOT IT MADE.
[ Chuckles ]
344
00:24:09,832 --> 00:24:12,983
YOU'RE A HANDSOME GUY.
345
00:24:14,987 --> 00:24:18,472
BET YOU COULD MODEL
IF YOU WERE A LITTLE TALLER.
346
00:24:21,226 --> 00:24:24,160
AHH. [ Mumbles ]
347
00:24:28,968 --> 00:24:31,201
[ Whispers ]
NO.
[ Exhales ]
348
00:24:31,269 --> 00:24:35,238
[ Steve ]
IT'S A NEW WORLD
OUT THERE.
349
00:24:35,307 --> 00:24:40,227
OLD LABELS AND PREJUDICES
DON'T APPLY ANYMORE.
350
00:24:40,296 --> 00:24:42,246
RIGHT.
RIGHT.
351
00:24:42,314 --> 00:24:47,585
YOU DO A SPECIAL JOB
FOR US. IMPORTANT.
352
00:24:47,653 --> 00:24:52,489
BEFORE YOU
I ONLY LET BARTENDERS
DEAL WITH ANTHONY,
353
00:24:52,558 --> 00:24:54,925
BUT VIV TRUSTS YOU.
354
00:24:54,993 --> 00:24:59,463
IT'S A GOOD JOB.
I TAKE IT SERIOUSLY.
YEAH.
355
00:24:59,532 --> 00:25:03,534
SHE ALSO SAYS THAT
YOU'RE MARRIED TO ANITA.
YEAH.
356
00:25:03,602 --> 00:25:06,737
AND THAT YOU NEVER GO
WITH THE OTHER BOYS.
357
00:25:06,806 --> 00:25:11,508
YEAH. I MEAN NO,
I DON'T, UH-- I'M NOT GAY.
358
00:25:13,278 --> 00:25:16,713
- LABELS.
- I'M SORRY, I FORGOT,
MR. RUBELL.
359
00:25:16,782 --> 00:25:19,884
"MISTER."
OH, I'M "MISTER,"
I'M "MISTER."
360
00:25:19,952 --> 00:25:21,886
[ Laughs ]
I'M "MISTER."
361
00:25:21,954 --> 00:25:25,789
OH, THAT'S GOOD.
362
00:25:25,858 --> 00:25:29,442
WELL, YOU KNOW WHAT ?
I'M NOT GAY EITHER.
363
00:25:31,196 --> 00:25:33,180
[ Sighs ]
364
00:25:36,052 --> 00:25:39,052
I WANT TO SUCK
YOUR COCK.
365
00:25:40,423 --> 00:25:43,807
I'M MARRIED.
366
00:25:43,876 --> 00:25:47,244
NO ONE GETS MARRIED
AT YOUR AGE,
367
00:25:47,313 --> 00:25:49,563
UNLESS THEY'RE TRYING
TO PROVE SOMETHING.
368
00:25:52,184 --> 00:25:56,119
I HAVE TO GO.
SORRY. OKAY ?
369
00:25:56,188 --> 00:25:59,923
BARTENDERS MAKE
A LOT OF THIS.
370
00:26:02,194 --> 00:26:04,978
- I KNOW.
- COME HERE.
371
00:26:08,634 --> 00:26:10,550
[ Whispers ]
COME HERE.
372
00:26:31,157 --> 00:26:34,007
[ Chuckles ]
373
00:26:35,644 --> 00:26:38,312
I-- I CAN'T.
I'M MARRIED,
AND SHE'S WAITING.
374
00:26:38,380 --> 00:26:42,048
- YOU REALLY ARE
THAT STRAIGHT.
- I'M SORRY.
375
00:26:42,117 --> 00:26:46,236
NO, NO, NO, NO.
I--
376
00:26:46,305 --> 00:26:49,856
I RESPECT THAT.
377
00:26:49,925 --> 00:26:52,792
LET ME APOLOGIZE TO YOU.
378
00:26:52,861 --> 00:26:56,029
[ Vomits ]
379
00:27:09,695 --> 00:27:12,696
[ TV: Faint ]
380
00:27:19,939 --> 00:27:22,472
BYE, DAD.
381
00:27:22,541 --> 00:27:24,541
BYE.
382
00:27:31,383 --> 00:27:34,968
[ Door Closes ]
383
00:27:35,037 --> 00:27:37,037
[ Car Engine Starts ]
384
00:27:46,348 --> 00:27:51,050
LISTEN, GRACIE,
I'M SORRY ABOUT LEAVIN' YOU
AND KELLY LIKE THIS,
385
00:27:51,119 --> 00:27:53,520
BUT I SHOULD HAVE BEEN
OUT OF THE HOUSE
TWO YEARS AGO.
386
00:27:53,589 --> 00:27:56,089
NO SHIT, SHANE.
387
00:27:58,394 --> 00:28:01,595
♪ JUST MOVE ON UP ♪
♪ MOVE ON UP ♪
388
00:28:01,664 --> 00:28:04,598
♪ TOWARDS YOUR DESTINATION ♪
♪ MOVE ON UP ♪
389
00:28:04,667 --> 00:28:08,669
[ Singing Along With Radio ]
♪ THOUGH YOU MAY FIND
FROM TIME TO TIME ♪
390
00:28:08,737 --> 00:28:11,538
♪ A COMPLICATION ♪♪
391
00:28:11,607 --> 00:28:15,392
YES, WE WANT VARIETY.
YES, YOU GOTTA TOSS
THE SALAD.
392
00:28:15,460 --> 00:28:19,863
BUT NO, THAT DOESN'T MEAN
LETTING WHORES AND YIDS IN
LIKE LAST NIGHT.
393
00:28:19,932 --> 00:28:21,999
THEY WERE YOUR COUSINS,
STEVIE.
I DON'T CARE...
394
00:28:22,068 --> 00:28:25,602
IF IT WAS
MY MOTHER AND MY FATHER,
THEY LOOKED LIKE SHIT.
395
00:28:25,671 --> 00:28:29,073
OKAY, STEVIE.
NO, NO, NO "OKAY, STEVIE,"
NO "COOL ITS," COME ON.
396
00:28:29,141 --> 00:28:31,141
FAMILY, MY ASS.
LET'S GO.
397
00:28:31,210 --> 00:28:35,179
THESE FUCKERS ARE HOT.
WHAT DO YOU THINK ?
398
00:28:35,247 --> 00:28:37,748
FABULOUS, LOVE.
NOW GET OUTTA HERE.
399
00:28:37,817 --> 00:28:40,184
GET OUTTA HERE !
LET'S GO !
400
00:28:41,687 --> 00:28:44,554
HEY, CAN I TALK TO YOU ABOUT
MAYBE PUTTIN' SOMEBODY
ON THE LIST ?
401
00:28:44,623 --> 00:28:46,757
NO, MAN, YOU HAVE TO
TALK TO STEVE,
402
00:28:46,826 --> 00:28:50,160
AND HE'S BEEN WORKING
72 HOURS STRAIGHT,
SO YOU TREAD LIGHTLY.
403
00:28:50,229 --> 00:28:52,495
[ Steve ]
THE I.R.S. ?
OH, PLEASE.
404
00:28:52,564 --> 00:28:55,765
EVEN THOUGH YOU PAY ME
LIKE A CASHIER, I'M
THE ACCOUNTANT IN THIS PLACE,
405
00:28:55,834 --> 00:28:57,801
AND IT'S ME WHO'S
GOING TO GO DOWN WITH YOU
IF YOU GET IT...
406
00:28:57,869 --> 00:29:00,137
BY BLABBING YOUR BIG MOUTH
ALL OVER THE PLACE.
407
00:29:00,206 --> 00:29:05,409
DO ME A FAVOR. THROW OUT
THAT NASTY WEED OF YOURS,
BECAUSE PARANOIA'S SETTING IN.
408
00:29:05,478 --> 00:29:07,444
[ Sighs ]
409
00:29:07,496 --> 00:29:11,231
- HI.
- HI.
410
00:29:11,300 --> 00:29:15,753
HOW'S THE NEW KID ?
YOU NEED A LITTLE SOMETHING
FOR THE NIGHT ?
411
00:29:18,323 --> 00:29:22,760
BUCK TELLS ME YOU'VE BEEN
DOING A GOOD JOB.
412
00:29:24,529 --> 00:29:27,097
WHAT SIGN ARE YOU ?
413
00:29:27,166 --> 00:29:31,835
UH, CANCER.
CANCER.
GOOD PEOPLE, CANCERS.
414
00:29:31,904 --> 00:29:34,887
WHAT DO YOU THINK, VIV ?
415
00:29:34,956 --> 00:29:36,956
CRABS.
[ Chuckles ]
416
00:29:37,025 --> 00:29:41,712
STEVE, UM--
I WANTED TO TALK TO YOU
ABOUT, UH--
417
00:29:42,748 --> 00:29:45,148
I GOT SOME FRIENDS,
AND, UM...
418
00:29:45,217 --> 00:29:49,019
I WANTED TO FIND OUT ABOUT
MAYBE PUTTING THEM
ON THE LIST.
419
00:29:49,088 --> 00:29:51,154
DO THEY LOOK LIKE YOU ?
420
00:29:51,223 --> 00:29:56,459
- ONE'S MY COUSIN.
- OKAY, LET ME EXPLAIN
SOMETHING, KID, OKAY ?
421
00:29:56,528 --> 00:30:00,313
OKAY, ONCE A MONTH,
THE NEPHEW OF THE KING
OF SAUDI ARABIA...
422
00:30:00,382 --> 00:30:05,118
FLIES 7,000 MILES TO DANCE HERE
FOR ONE NIGHT, ALL NIGHT,
423
00:30:05,187 --> 00:30:07,821
THEN GETS BACK ON HIS PLANE
AT SUNRISE.
424
00:30:07,890 --> 00:30:11,992
HE TELLS ME IT'S
THE ONLY PLACE ON EARTH
THAT HE FEELS TOTALLY FREE.
425
00:30:12,061 --> 00:30:15,829
SO, NATURALLY,
I-- WE...
426
00:30:15,898 --> 00:30:17,864
HAVE A RESPONSIBILITY.
427
00:30:17,933 --> 00:30:23,036
SO, I REPEAT,
DO THEY LOOK LIKE YOU ?
428
00:30:24,806 --> 00:30:26,806
THEY'RE MY FRIENDS.
429
00:30:31,613 --> 00:30:34,614
FINE.
I'LL PUT THEM ON THE LIST.
430
00:30:36,218 --> 00:30:38,751
BUT THEY BETTER LOOK
LIKE YOU.
431
00:30:38,820 --> 00:30:40,087
[ Sighs ]
432
00:30:40,155 --> 00:30:44,091
THANKS.
433
00:30:49,331 --> 00:30:51,331
[ Sighs ]
434
00:31:02,911 --> 00:31:05,929
♪ FLY, ROBIN, FLY ♪
[ Laughs ]
435
00:31:07,933 --> 00:31:10,767
♪ FLY, ROBIN, FLY ♪
436
00:31:11,770 --> 00:31:15,638
JULIE.
♪ FLY, ROBIN, FLY ♪
437
00:31:15,707 --> 00:31:18,474
YOU'RE A MESS.
COME HERE.
♪ UP, UP TO THE SKY ♪♪
438
00:31:18,543 --> 00:31:20,543
I'M GONNA
FIX YOU UP.
439
00:31:24,316 --> 00:31:26,917
HEY, DID YOU SLEEP
WITH SOMEBODY TO GET YOUR JOB ?
[ Scoffs ]
440
00:31:26,985 --> 00:31:29,452
MY JOB ?
PLEASE.
441
00:31:31,689 --> 00:31:34,190
HERE WE GO.
442
00:31:37,129 --> 00:31:41,231
LISTEN, SHANE, YOU BETTER
WATCH HOW MUCH YOU PARTY,
OR YOU COULD GET FIRED.
443
00:31:41,300 --> 00:31:43,333
HERE.
444
00:31:43,402 --> 00:31:45,668
AH, I DON'T DO THAT CRUD.
NOTHIN' UP THE NOSE.
445
00:31:45,737 --> 00:31:48,838
COME ON, YOU NEED
A LITTLE EQUALIZER.
[ Mumbles ]
446
00:31:48,907 --> 00:31:51,041
COME ON, YOU LOOK
LIKE STEVIE.
447
00:31:59,651 --> 00:32:04,354
[ Sniffs ]
THERE YOU GO.
448
00:32:04,423 --> 00:32:08,758
[ Crowd Clamoring ]
[ Shane ] STEVE COULD BE A RAT
BASTARD, NO QUESTION ABOUT IT.
449
00:32:08,827 --> 00:32:12,929
HE TOOK MY FRIENDS
OFF THE LIST AS SOON
AS I LEFT HIS OFFICE.
450
00:32:12,998 --> 00:32:15,198
LOOK AGAIN, MAN.
451
00:32:15,267 --> 00:32:18,034
SHANE INVITED US.
SHANE O'SHEA,
HE WORKS HERE.
452
00:32:18,103 --> 00:32:21,237
I TOLD THEM LATER THAT STEVE
WAS ALWAYS PLAYING
LITTLE GAMES LIKE THAT.
453
00:32:21,306 --> 00:32:23,739
JUST CRUEL.
I NEVER FIGURED OUT WHY.
454
00:32:23,808 --> 00:32:26,609
I MEAN, WITH THE KIND OF POWER
HE HAD, WHY PLAY GAMES ?
455
00:32:26,678 --> 00:32:28,644
EXCUSE ME.
GET THE FUCK
OUTTA MY WAY, PLEASE.
456
00:32:28,713 --> 00:32:33,333
HE WAS WEIRD THAT WAY.
LIKE, SOME NIGHTS,
HE'D KEEP THE CLUB ALMOST EMPTY.
457
00:32:33,401 --> 00:32:37,237
THERE COULD BE A THOUSAND PEOPLE
OUT ON THE STREET, AND ONLY
A HUNDRED INSIDE DANCING.
458
00:32:39,374 --> 00:32:42,109
SHANE, LOOK.
IT'S BILLIE AUSTIN.
459
00:32:42,177 --> 00:32:45,846
BILLIE ?
WHAT'S HER DEAL ?
460
00:32:45,914 --> 00:32:50,383
SHE KNOWS EVERYBODY.
ESPECIALLY EVERYBODY
IN THE MUSIC INDUSTRY.
461
00:32:50,452 --> 00:32:53,836
HELP ME OUT.
SHE'S INTO COKE.
YOU WANNA MEET HER ?
462
00:32:53,905 --> 00:32:55,872
♪ YOU CAN GET IT
GET IT, GIRL ♪
463
00:32:55,940 --> 00:32:58,174
♪ ANYTIME ♪
464
00:32:58,243 --> 00:33:00,443
♪ TONIGHT IS FINE ♪
465
00:33:05,283 --> 00:33:09,652
♪ YOU GOTTA PUSH IT
TO ME, BABY ♪
♪ PUSH IT TO ME, BABY ♪♪
466
00:33:09,721 --> 00:33:12,372
[ Sniffs ]
467
00:33:12,440 --> 00:33:16,760
OH, THANKS.
DIANA HELPED HERSELF
TO THE LAST OF MY SNOW.
468
00:33:18,030 --> 00:33:21,264
UGH !
RECORDING ARTISTS.
469
00:33:21,332 --> 00:33:23,867
UH, YOU KNOW, ANITA'S
A RECORDING ARTIST TOO.
OH.
470
00:33:23,935 --> 00:33:27,270
WONDERFUL.
WHAT LABEL ?
471
00:33:28,907 --> 00:33:32,108
WELL, I DON'T
REALLY HAVE ONE YET.
472
00:33:32,177 --> 00:33:36,946
[ Sniffs ]
OH. OH.
473
00:33:37,015 --> 00:33:40,750
WELL, SEND ME A TAPE.
I'D LOVE TO HEAR IT.
474
00:33:40,802 --> 00:33:44,504
OH, THANK YOU !
THANK YOU, THANK YOU,
THANK YOU !
475
00:33:44,573 --> 00:33:47,641
AS A MATTER OF FACT,
I THINK I HAVE A TAPE
HERE WITH ME.
476
00:33:49,144 --> 00:33:51,344
YEAH, YEAH.
HERE.
477
00:33:51,413 --> 00:33:54,314
THE RECORDING ISN'T
THAT GREAT, YOU KNOW.
478
00:33:54,383 --> 00:33:56,483
THIS DOOBIE'S
EXCELLENT.
479
00:33:56,551 --> 00:33:59,586
I JUST MADE IT WITH, LIKE,
HOME EQUIPMENT, AND SO--
480
00:33:59,655 --> 00:34:01,655
BYE.
481
00:34:02,791 --> 00:34:05,675
[ Screams ]
♪ I'M JUST A LOVE MACHINE ♪
482
00:34:05,744 --> 00:34:08,578
♪ I WON'T WORK
FOR NOBODY BUT YOU ♪♪
483
00:34:08,647 --> 00:34:11,347
THEY'RE CUTE.
484
00:34:11,417 --> 00:34:14,718
I JUST LOVE DISCOVERING...
485
00:34:16,755 --> 00:34:19,255
NEW TALENT.
486
00:34:22,194 --> 00:34:24,427
YOU HAVE
THE BODY OF DAVID...
487
00:34:24,496 --> 00:34:28,865
AND THE FACE
OF A BOTTICELLI.
488
00:34:28,934 --> 00:34:31,268
BOTTLE OF WHAT ?
489
00:34:31,336 --> 00:34:33,770
JUST SAY THANKS,
DARLING.
490
00:34:34,873 --> 00:34:37,774
THANKS.
491
00:34:37,842 --> 00:34:42,279
[ Sighs ]
IT'S REALLY FUNKY,
BUT I DON'T KNOW IF IT'S ME.
492
00:34:42,347 --> 00:34:44,847
DARLING, I DON'T THINK
YOU REALIZE WHAT IS YOU.
493
00:34:44,917 --> 00:34:48,885
I JUST WANT TO LOOK COOL
WHEN I'M OUT,
LIKE I'M A NEW YORKER.
494
00:34:48,954 --> 00:34:53,890
WHAT YOU ARE IS
PART OF BILLIE'S
BIG BANG THEORY.
495
00:34:53,959 --> 00:34:56,459
[ Shane ]
BILLIE TAUGHT ME
HOW THE WORLD WORKED.
496
00:34:56,528 --> 00:34:59,796
THAT I HAD THE POWER TO GET
WHATEVER IT WAS I WANTED.
497
00:34:59,864 --> 00:35:02,548
[ Billie ]
YES. OH, YES.
498
00:35:02,617 --> 00:35:06,486
[ Moans ]
499
00:35:06,554 --> 00:35:09,089
[ Shane ] RHETT--
WHEN DID HE QUIT ?
500
00:35:09,157 --> 00:35:11,557
TONIGHT.
[ Moans ]
501
00:35:11,626 --> 00:35:14,694
I'M CRUSHED.
HE WAS INCREDIBLE.
502
00:35:14,763 --> 00:35:18,798
[ Sighs ]
503
00:35:18,867 --> 00:35:22,735
WHOA !
COWBOY, EASY.
EASY !
504
00:35:24,273 --> 00:35:27,274
THERE... TRY THIS.
505
00:35:31,813 --> 00:35:34,180
[ Moans ]
OHHH--
506
00:35:35,683 --> 00:35:39,185
OOH, YOU LEARN FAST.
507
00:35:39,254 --> 00:35:44,490
[ Gasps ]
I BET I COULD
DO THAT JOB.
508
00:35:44,559 --> 00:35:46,893
SHOULD I TALK
TO STEVIE FOR YOU ?
509
00:35:46,962 --> 00:35:50,130
[ Panting ]
I DON'T KNOW.
510
00:35:50,198 --> 00:35:52,498
MY FRIEND'S BEEN
WAITING FOR THAT JOB.
511
00:35:52,567 --> 00:35:55,268
DO YOU WANT IT ?
512
00:35:55,337 --> 00:35:57,804
YEAH, I WANT IT.
513
00:35:57,872 --> 00:36:00,540
WHAT WOULD
YOU DO TO GET IT ?
514
00:36:02,677 --> 00:36:06,112
[ Gasps, Moans ]
515
00:36:09,451 --> 00:36:12,836
[ Whispers ]
HEY.
516
00:36:42,701 --> 00:36:44,701
WHO IS IT ?
517
00:36:49,291 --> 00:36:51,825
THAT OUGHTA BE ILLEGAL.
518
00:37:25,493 --> 00:37:27,794
MAY I HELP YOU ?
519
00:37:31,082 --> 00:37:34,534
RHETT QUIT...
520
00:37:34,603 --> 00:37:38,537
THE JOB, AND I...
YOU KNOW.
521
00:37:40,608 --> 00:37:43,142
LET ME GET THIS STRAIGHT.
YOU WANT A JOB.
522
00:37:43,211 --> 00:37:45,411
SHOULDN'T I BE TAKIN'
MY PANTS OFF ?
523
00:37:49,584 --> 00:37:52,002
[ Laughs ]
524
00:37:59,745 --> 00:38:02,178
[ Chuckles ]
525
00:38:03,348 --> 00:38:07,433
OF COURSE, EVERYONE KNOWS
THAT RHETT IS HISTORY,
526
00:38:07,502 --> 00:38:10,736
AND SHANE WILL
TAKE HIS PLACE.
527
00:38:10,805 --> 00:38:16,542
[ Shane ] LATER ON I LEARNED
THAT BILLIE HAD SPOKEN TO STEVIE
ABOUT MY PROMOTION.
528
00:38:16,611 --> 00:38:19,412
I HAVE TO ADMIT
I FELT BAD FOR GREG.
529
00:38:20,715 --> 00:38:24,000
I NAME THEE "SHANE 54" !
[ Crowd ] WHOO-HOO !
530
00:38:26,705 --> 00:38:28,922
[ Chuckles ]
531
00:38:28,990 --> 00:38:31,490
[ Group ] WHOO !
532
00:38:39,935 --> 00:38:43,636
WE WERE BOTH RIGHT.
HMM ?
533
00:38:43,704 --> 00:38:46,872
I'M TOO SHORT
AND I DON'T SUCK COCK.
534
00:38:46,942 --> 00:38:50,876
WELL, THERE'S NOTHING
YOU CAN DO ABOUT BEING SHORT.
535
00:38:50,946 --> 00:38:52,946
RIGHT.
536
00:38:54,249 --> 00:38:56,449
[ Laughs ]
537
00:38:59,754 --> 00:39:01,754
I'M GONNA MAKE US
SOME REAL MONEY.
538
00:39:01,823 --> 00:39:03,873
I GOT OTHER IDEAS.
539
00:39:10,215 --> 00:39:12,949
HOW ABOUT THE BEST FUCK
OF YOUR LIFETIME ?
540
00:39:13,018 --> 00:39:15,651
[ Chuckles ]
541
00:39:15,721 --> 00:39:18,921
♪ I'VE GOT TO SAY
I WANNA TAKE YOU ♪
542
00:39:18,990 --> 00:39:22,592
♪ BUT LIKE A THIEF
IN THE NIGHT ♪♪
543
00:39:22,660 --> 00:39:27,046
[ Shane ] SO I MADE IT.
BARTENDING WAS THE BEST JOB
IN THE WORLD.
544
00:39:27,115 --> 00:39:30,082
BUT FOR ME THE BIG THING WAS,
WHEN YOU WERE A BARTENDER AT 54,
545
00:39:30,152 --> 00:39:33,602
EVERYBODY KNEW YOUR NAME.
546
00:39:33,655 --> 00:39:35,221
YOU WERE FAMOUS.
547
00:39:35,306 --> 00:39:38,491
COME ON, I WANT TO
INTRODUCE YOU TO HIM.
548
00:39:40,128 --> 00:39:42,095
HE DOESN'T WANT TO
BE PHOTOGRAPHED TONIGHT.
549
00:39:42,164 --> 00:39:45,865
HE DOESN'T WANT
TO BE PHOTOGRAPHED, OKAY ?
OKAY. THANK YOU.
550
00:39:45,934 --> 00:39:49,169
STEVE DIDN'T DRAW A LINE
BETWEEN CUSTOMERS
AND EMPLOYEES.
551
00:39:49,237 --> 00:39:51,504
BEFORE 54, MOST CLUBS
WOULD HIDE THEIR HELP.
552
00:39:51,572 --> 00:39:55,074
NOT STEVE.
HE FLAUNTED HIS.
553
00:39:57,979 --> 00:40:02,015
PEOPLE MADE SUCH A BIG DEAL
ABOUT GETTING INTO 54,
BUT THEY DIDN'T KNOW.
554
00:40:02,083 --> 00:40:05,701
BECAUSE ONCE YOU GOT
INTO THE DOOR, YOU WANTED
TO GET INTO THE DEEJAY'S BOOTH,
555
00:40:05,770 --> 00:40:07,770
OR THE OFFICE,
WHERE THE BEST COKE WAS.
556
00:40:07,838 --> 00:40:09,905
COME ON.
OR THE BALCONY,
WHERE THE PEOPLE
WERE GETTING LAID,
557
00:40:09,974 --> 00:40:12,975
OR THE BASEMENT,
WHERE THE BIGGEST NAMES
HUNG OUT.
558
00:40:14,145 --> 00:40:16,212
STEVE WAS SO FUCKING SMART.
559
00:40:16,281 --> 00:40:19,482
I MEAN, YOU'D HAVE TO BE
SOME KIND OF A GENIUS TO TAKE
A DIRTY, WET BASEMENT...
560
00:40:19,551 --> 00:40:23,786
AND TURN IT INTO A V.I.P. ROOM
CELEBRITIES WOULD KILL
TO GET INTO.
561
00:40:23,854 --> 00:40:25,854
THERE WAS ALWAYS ANOTHER DOOR.
562
00:40:25,923 --> 00:40:28,624
SHANE, DARLING, I GUESS
YOU'VE FINALLY ARRIVED.
563
00:40:28,693 --> 00:40:31,977
HI, ANDY.
HI, STEVE,
HOW ARE YOU ?
564
00:40:32,046 --> 00:40:35,648
SHANE, SHANE,
THIS IS ANDY.
OH, HI.
565
00:40:37,185 --> 00:40:40,119
ANDY LOVES IT DOWN HERE,
DON'T YOU ?
DON'T YOU, ANDY ?
566
00:40:40,188 --> 00:40:42,288
OH, YEAH.
IT'S GREAT.
567
00:40:42,357 --> 00:40:45,157
IT'S REALLY BROWN.
[ Chuckles ]
[ Chuckles ]
568
00:40:45,227 --> 00:40:47,727
♪♪ [ Continues ]
569
00:40:50,165 --> 00:40:54,217
♪ LET'S MAKE LOVE
TO MY HEART ♪
♪ DO IT, DO IT ♪
570
00:40:54,285 --> 00:40:57,604
♪ WHEN WE DO
IT'S REALLY HARD TO PART ♪
♪ LET'S DO IT ♪
571
00:40:57,672 --> 00:41:02,208
♪ COMBINE OUR MINDS
THIS TIME ♪
♪ LET'S DO IT ♪
572
00:41:02,277 --> 00:41:05,745
♪ QUITE SURE OUR LOVE
WON'T GO BAD ♪
573
00:41:05,813 --> 00:41:08,180
♪ OOH-OOH-OOH-OOH ♪
574
00:41:08,250 --> 00:41:12,352
♪ STAY ♪
♪ LET'S GET TO IT, DO IT ♪
575
00:41:12,420 --> 00:41:16,489
♪ OH, HOW YOU MAKE ME FEEL ♪
♪ DO IT, DO IT ♪
576
00:41:16,558 --> 00:41:18,725
♪ STAY ♪
577
00:41:18,793 --> 00:41:24,030
♪ OH, IS IT REALLY REAL ♪
♪ DO IT, DO IT ♪
578
00:41:24,099 --> 00:41:26,099
♪ STAY ♪
579
00:41:28,769 --> 00:41:32,305
♪ STAY ♪
♪ DOO, DOO, DOO, DOO ♪
580
00:41:32,373 --> 00:41:36,893
♪ STAY ♪
♪ DO IT, DO IT, DO IT, DO IT ♪
581
00:41:36,962 --> 00:41:41,097
♪ STAY ♪
♪ DOO, DOO, DOO, DOO ♪
582
00:41:41,165 --> 00:41:44,634
♪ STAY ♪
♪ LET GET TO IT, DO IT ♪♪
583
00:41:44,703 --> 00:41:48,404
EVEN OUTSIDE THE CLUB,
I WAS ALWAYS WORKIN' IT.
584
00:41:48,473 --> 00:41:50,640
GETTING AN ARTICLE PLACED
IN INTERVIEW,
585
00:41:50,709 --> 00:41:53,692
MINGLING WITH
THE RIGHT PEOPLE,
586
00:41:53,762 --> 00:41:55,862
RAISING MY PROFILE.
587
00:42:01,536 --> 00:42:06,038
IT WAS ALL COMING TOGETHER.
I COULD ALMOST TASTE IT.
588
00:42:26,444 --> 00:42:29,612
BILLIE GOT ME AND ANITA
AN INVITATION TO LIZ VANGELDER'S
BECAUSE SHE KNEW...
589
00:42:29,680 --> 00:42:31,814
THERE'D BE SOME GREAT
CONTACTS FOR US.
590
00:42:31,883 --> 00:42:34,450
HER DINNER PARTIES
WERE A REALLY BIG DEAL.
591
00:42:34,519 --> 00:42:37,787
HI. I'M SHANE.
THIS IS ANITA.
WE'RE BILLIE'S FRIENDS.
592
00:42:37,856 --> 00:42:41,491
YES, OF COURSE.
I'M LIZ VANGELDER.
593
00:42:41,542 --> 00:42:44,410
WELL, THE NIGHTLIFE HERE IS
AMUSING ENOUGH, I SUPPOSE,
594
00:42:44,479 --> 00:42:50,216
BUT BELIEVE ME,
NOTHING COMPARED WITH LONDON
IN THE SWINGING '60s.
595
00:42:50,284 --> 00:42:53,152
[ Laughs ]
[ Liz ] COME ON.
WHERE'D YOU FIND THEM ?
596
00:42:53,221 --> 00:42:57,406
L'UNIVERSITE DE
CINQUANTE-QUATRE.
597
00:42:57,475 --> 00:43:00,342
54.
598
00:43:00,411 --> 00:43:05,014
THE BARTENDER AT 54.
OH, YOU SLY PUSS.
599
00:43:05,066 --> 00:43:07,799
[ Liz ]
BRINGING THE BARTENDER
TO TABLE.
600
00:43:07,868 --> 00:43:11,053
TSK.
STEVE IS HOLDING AUDITIONS
FOR A NEW YEAR'S ACT.
601
00:43:11,122 --> 00:43:15,691
A NEW NEW YEAR'S ACT.
HE SAYS HE WANTS
SOMETHING FRESH.
602
00:43:15,760 --> 00:43:18,628
AIN'T NOBODY
AS FRESH AS ME.
[ Chuckles ]
603
00:43:18,696 --> 00:43:21,631
I MIGHT EVEN HAVE A TAPE
WITH ME, YOU KNOW,
IN MY PURSE.
604
00:43:21,699 --> 00:43:23,633
REALLY ?
YEAH.
605
00:43:23,701 --> 00:43:25,635
GOOD. I HAVE A TAPE DECK
IN MY CAR.
606
00:43:25,703 --> 00:43:28,638
SO, HERE I WAS,
PUTTING MY JERSEY MOVES
ON PARK AVENUE.
607
00:43:28,706 --> 00:43:32,274
I REALLY BELIEVED
I'D COME OUT OF THERE THAT NIGHT
WITH SOME GOOD CONNECTIONS.
608
00:43:32,343 --> 00:43:37,112
YOU HAVE THE ESSENCE
OF ERROL FLYNN.
HMM ?
609
00:43:37,181 --> 00:43:40,950
INSTEAD, I SAW HOW FAR
I HAD TO GO.
610
00:43:41,018 --> 00:43:44,386
- WHO ?
- DARLING, YOU KNOW
WHO ERROL FLYNN IS.
611
00:43:45,656 --> 00:43:50,460
- OH, YEAH.
ARROW FLINT, RIGHT.
- [ Laughs ]
612
00:43:52,613 --> 00:43:58,250
YOU KNOW, YOU ARE
THE MOST GORGEOUS TROGLODYTE
I HAVE EVER SEEN.
613
00:43:58,319 --> 00:44:00,986
THANKS.
[ Laughs ]
614
00:44:07,578 --> 00:44:10,913
I DON'T KNOW WHO THE FUCK
ARROW FLINT IS EITHER,
615
00:44:10,982 --> 00:44:13,182
BUT DON'T YOU KNOW
WHAT A TROGLODYTE IS ?
616
00:44:13,251 --> 00:44:16,618
YEAH, IT'S LIKE
A DIAMOND.
617
00:44:16,687 --> 00:44:20,639
NO, SHANE. A TROGLODYTE
IS LIKE A CAVEMAN.
618
00:44:20,708 --> 00:44:23,342
HE CALLED YOU A CAVEMAN.
619
00:44:23,410 --> 00:44:26,511
AND THAT MAKES ME
A CAVEWOMAN.
620
00:44:28,449 --> 00:44:31,934
[ Knock On Door ]
[ Man ]
ANITA, ARE YOU READY ?
621
00:44:34,038 --> 00:44:37,040
YEAH, IN A MINUTE.
622
00:44:37,108 --> 00:44:41,210
WHAT ARE YOU DOING ?
HE'S GIVING ME A BREAK.
623
00:44:43,414 --> 00:44:46,515
AND, SHANE, LAY OFF.
624
00:45:07,822 --> 00:45:10,989
WHERE'S THE ARTICLE ?
625
00:45:19,584 --> 00:45:21,584
[ Knock On Door ]
626
00:45:26,558 --> 00:45:31,127
SEE ? IF YOU HAD LET ME BE
INVOLVED IN THE PHOTO SHOOT,
THIS WOULDN'T HAVE HAPPENED.
627
00:45:31,196 --> 00:45:33,662
YOU SHOULD HAVE KNOWN
WITH A MAGAZINE LIKE THIS.
628
00:45:33,731 --> 00:45:35,732
ANITA, LAY OFF, PLEASE.
629
00:45:41,639 --> 00:45:45,157
COME ON.
I KNOW HOW
TO CHEER YOU UP.
630
00:45:45,226 --> 00:45:48,144
♪♪ [ Disco ]
[ Anita ] SO WE'RE GONNA
START WITH THE HIPS.
631
00:45:48,212 --> 00:45:51,313
ONE, TWO, THREE, FOUR,
ONE, TWO, THREE, FOUR--
632
00:45:51,382 --> 00:45:55,818
[ Shane ] FOR EXTRA DOUGH,
ANITA TAUGHT SUBURBANITES
HOW TO DISCO DANCE.
633
00:45:55,887 --> 00:46:01,323
- WELL, SHE TRIED ANYWAY.
- ONE, TWO, THREE, HIP,
ONE, TWO, THREE, HIP,
634
00:46:01,392 --> 00:46:04,059
ONE, TWO, THREE, HIP,
LET ME SEE IT !
635
00:46:04,128 --> 00:46:06,896
SECOND THING WE'RE GONNA DO
IS ATTITUDE.
636
00:46:06,964 --> 00:46:09,732
IF YOU WANT TO MAKE IT
TO STUDIO 54,
THE MOST IMPORTANT THING...
637
00:46:09,801 --> 00:46:12,835
IS THAT YOU HAVE TO HAVE
THE RIGHT ATTITUDE,
AND THE ATTITUDE IS IN THE FACE.
638
00:46:12,904 --> 00:46:17,239
SO WATCH ME.
THIS IS A VERY SPECIAL
STEP FOR ATTITUDE.
639
00:46:17,308 --> 00:46:20,676
ONE, TWO, THREE, FOUR,
ONE, TWO, THREE, ATTITUDE !
640
00:46:20,745 --> 00:46:24,079
ONE, TWO, THREE, ATTITUDE !
ONE, TWO, THREE--
641
00:46:24,148 --> 00:46:27,066
GIVE ME SOME ATTITUDE !
642
00:46:27,134 --> 00:46:29,168
WHAT KIND OF AN ATTITUDE
IS THAT ?
COME OVER HERE.
643
00:46:29,237 --> 00:46:33,138
GIVE ME SOME ATTITUDE !
SHOW ME !
SHOW ME YOUR STUFF !
644
00:46:33,208 --> 00:46:36,709
ONE, TWO, THREE, WHOO !
ONE, TWO, THREE, WHOO !
645
00:46:36,777 --> 00:46:42,014
STOP, TWO, THREE, WHOO !
ONE, TWO, THREE--
WHOO !
646
00:46:42,083 --> 00:46:44,517
WHOO !
WHOO ! WHOO !
647
00:46:44,586 --> 00:46:47,653
THINK TRAVOLTA.
COME ON !
648
00:46:47,722 --> 00:46:49,922
WHOO !
649
00:46:49,990 --> 00:46:52,825
KEEP GOING, KEEP GOING.
I'M GONNA GO
FOR SOME INSPIRATION.
650
00:46:52,893 --> 00:46:56,479
PLEASE, SHANE, THIS KID
NEEDS SOME INSPIRATION.
651
00:47:13,715 --> 00:47:15,848
HEY !
HEY !
652
00:47:15,916 --> 00:47:19,652
KEEP YOUR HANDS
OFF MY WIFE.
NO SMOTHERING, GREGO.
653
00:47:19,721 --> 00:47:24,790
PARA USTED.
OH, THANK YOU.
I WAS SO HUNGRY.
654
00:47:24,859 --> 00:47:27,860
ARE YOU GONNA STAY
FOR THE BUS STOP ?
THAT SOUNDS GREAT, BUT...
655
00:47:27,928 --> 00:47:29,928
I GOT SOME BUSINESS
OF MY OWN.
656
00:47:29,997 --> 00:47:32,531
GOTTA GO.
657
00:47:32,600 --> 00:47:34,667
HEY, SHANE, WHY DON'T YOU
SHOW US HOW YOU DO
YOUR SPLITS ?
658
00:47:34,736 --> 00:47:36,836
I'M NOT GONNA DO THAT.
MARIO, YOU DO IT.
659
00:47:36,904 --> 00:47:39,204
ALL RIGHT-- OW !
[ Pants Rip ]
SHANE !
660
00:47:39,273 --> 00:47:41,707
I LEAVE YOU ALONE FOR ONE SECOND
AND LOOK WHAT HAPPENS.
661
00:47:41,776 --> 00:47:44,943
ARE YOU ALL RIGHT ?
DOES IT HURT ?
JUST A LITTLE.
662
00:47:45,012 --> 00:47:48,347
DON'T MOVE.
I'M GONNA GO GET SOME ICE.
I'M SORRY !
663
00:48:17,395 --> 00:48:20,596
LUDES, ANGEL DUST,
664
00:48:20,664 --> 00:48:22,631
AND THIS-- THIS IS MDA.
665
00:48:22,700 --> 00:48:27,036
THIS IS WHY THE STUDIO'S
SUCH A GREAT PARTY.
THIS MONTH, ANYHOW.
666
00:48:35,596 --> 00:48:38,597
♪♪ [ Disco ]
667
00:48:42,436 --> 00:48:44,603
♪ ROCKIN' DISCO MAN ♪
THANKS.
668
00:48:44,672 --> 00:48:46,805
♪ HANGIN' OUT
AT THE DISCOTHEQUE ♪
669
00:48:46,874 --> 00:48:49,175
♪ I BELIEVE IN THE BOOGIE ♪♪
670
00:48:49,243 --> 00:48:52,077
YOU CAN DO IT TOO, MAN.
♪♪ [ Continues ]
671
00:48:52,146 --> 00:48:54,213
[ Laughs ]
HEY, MIDGET,
672
00:48:54,299 --> 00:48:56,832
I HEAR YOU'VE GOT
SOME CHOICE MDA.
673
00:48:56,901 --> 00:48:59,235
YEAH, 20 EACH.
FOR YOU, 25.
674
00:48:59,304 --> 00:49:01,470
OH, EAT ME RAW,
TOM THUMB.
675
00:49:01,539 --> 00:49:05,724
I NEVER PAY
FOR MY DRUGS.
AND I DON'T TAKE MEDICARE.
676
00:49:05,793 --> 00:49:09,161
OOH !
HA, HA, HA.
677
00:49:09,229 --> 00:49:12,548
SO TELL ME, HOW MUCH MONEY
DOES THE CLUB PULL IN ?
UM,
678
00:49:12,617 --> 00:49:16,419
[ Chuckles ]
I'D SAY I--
WE MAKE...
679
00:49:16,487 --> 00:49:21,990
[ Whispers Inaudibly ]
EVERY NIGHT.
680
00:49:22,059 --> 00:49:24,059
WHEW.
[ Chuckles ]
681
00:49:24,128 --> 00:49:27,029
AND THAT WOULD BE
BEFORE UNCLE SAM
GETS HIS TEETH INTO IT.
682
00:49:27,097 --> 00:49:31,233
WELL, LET ME PUT IT THIS WAY--
WHAT THE I.R.S. DOESN'T KNOW
WON'T HURT THEM.
683
00:49:31,302 --> 00:49:34,453
- [ Tape Rewinding ]
- LET ME PUT IT THIS WAY--
684
00:49:34,521 --> 00:49:37,422
WHAT THE I.R.S. DOESN'T KNOW
WON'T HURT THEM.
685
00:49:37,491 --> 00:49:40,993
THE SECRET IS, IS THAT
I'M KIND OF A PHILOSOPHER.
686
00:49:41,062 --> 00:49:42,995
CAN YOU BELIEVE THE NERVE
OF THIS MAN ?
[ TV: Rubell Continues ]
687
00:49:43,064 --> 00:49:46,198
HE DID MERV LAST WEEK,
DICK CAVETT, AND NOW THIS.
688
00:49:46,266 --> 00:49:50,268
I UNDERSTAND THAT
THE PATH OF EXCESS LEADS TO
THE PALACE OF WISDOM.
689
00:49:50,337 --> 00:49:52,337
DO YOU EVER READ BLAKE ?
I HAVE.
690
00:49:52,406 --> 00:49:55,273
YEAH, I LOVE BLAKE.
THAT'S MY FAVORITE POET.
691
00:49:55,342 --> 00:49:57,309
TIGER, TIGER, BURNING BRIGHT.
WE GOTTA GET TO SOMEBODY
IN THAT PLACE.
692
00:49:57,377 --> 00:50:00,178
[ Chuckles ]
THAT'S RIGHT. I LOVE THAT.
693
00:50:00,247 --> 00:50:02,481
MAY I KISS YOUR HAND ?
694
00:50:02,567 --> 00:50:05,834
YOU KNOW, I BEEN GOOD
FOR A WHOLE WEEK NOW.
695
00:50:05,903 --> 00:50:11,606
YEAH ?
WELL, KEEP BEING GOOD AND
QUIT LOOKING AT ME LIKE THAT.
696
00:50:13,410 --> 00:50:15,510
I'M NOT LOOKING AT YOU.
697
00:50:15,579 --> 00:50:17,746
WHO'D WANT TO LOOK AT YOU ?
698
00:50:21,085 --> 00:50:23,318
[ Chuckles ]
699
00:50:28,225 --> 00:50:30,893
AY.
700
00:50:33,130 --> 00:50:35,497
HEY, GIMME THAT.
701
00:50:35,566 --> 00:50:38,433
STOP IT !
COME ON. I WANNA HELP.
YOU GUYS DO EVERYTHING.
702
00:50:38,502 --> 00:50:41,036
NO !
[ Speaking Spanish ]
♪ LA-LA-LA-LA ♪
703
00:50:41,105 --> 00:50:43,872
YOU TRYING
TO TURN ME ON ?
NO, I'M TRYING TO COOK.
704
00:50:43,941 --> 00:50:46,241
SAY THAT AGAIN.
WHAT ?
705
00:50:46,310 --> 00:50:49,478
NO SALTY ME DAY
AT THE CASINO.
[ Laughs ]
706
00:50:52,683 --> 00:50:56,485
COME ON. LET ME GO.
[ Footsteps
Approaching ]
707
00:50:59,890 --> 00:51:02,524
OH, I WAS
JUST AFTER THE SPOON.
708
00:51:04,695 --> 00:51:06,695
THE SPOON ?
709
00:51:10,617 --> 00:51:12,617
[ Crashing,
Clattering ]
710
00:51:14,955 --> 00:51:17,255
YOU BASTARD !
711
00:51:17,324 --> 00:51:19,291
YOU JEALOUS BASTARD !
712
00:51:19,359 --> 00:51:21,293
YOU JEALOUS BASTARD !
713
00:51:21,361 --> 00:51:24,429
[ Screaming In Spanish ]
I DIDN'T EVEN DO ANYTHING !
714
00:51:24,498 --> 00:51:26,631
RIGHT !
RIGHT !
715
00:51:26,701 --> 00:51:30,535
I TOLD YOU
NOTHING'S GOING ON.
BULLSHIT !
716
00:51:31,538 --> 00:51:36,175
GREG, BABY,
YOU TALKING ABOUT SHANE.
717
00:51:36,243 --> 00:51:39,244
IT BE LIKE DOING IT WITH
MY OWN BROTHER. HOW COULD
YOU EVEN THINK ABOUT IT ?
718
00:51:39,313 --> 00:51:42,447
I CAUGHT YOU !
YOU ARE A JEALOUS MANIAC AND
YOU'D BETER GET OVER IT...
719
00:51:42,516 --> 00:51:44,649
BECAUSE I'M NOT
STICKING AROUND FOR MORE.
720
00:51:44,719 --> 00:51:48,653
YOU THREATENING ME ?
I TOLD YOU
BEFORE WE GOT MARRIED...
721
00:51:48,723 --> 00:51:51,223
THAT I WAS
NOT YOUR SLAVE.
722
00:51:51,291 --> 00:51:54,793
NO SMOTHERING,
GREGO, RIGHT ? RIGHT ?
RIGHT. RIGHT !
723
00:51:54,861 --> 00:51:57,646
WE HAD A DEAL.
REMEMBER ?
724
00:52:10,694 --> 00:52:14,029
YOU'RE
THE ONLY ONE I LOVE.
725
00:52:14,097 --> 00:52:19,301
YOU'RE MY BABY.
[ Whispers ]
YOU'RE MY POPI.
726
00:52:23,006 --> 00:52:25,707
[ Kisses Smacking ]
727
00:52:28,879 --> 00:52:32,148
[ Clothing Rustling,
Panting ]
728
00:52:32,216 --> 00:52:36,452
[ Pleasurable Moans ]
729
00:52:59,577 --> 00:53:01,493
♪♪ [ Disco ]
730
00:53:01,579 --> 00:53:03,078
♪ DANCE ♪
731
00:53:03,147 --> 00:53:06,031
♪ DANCE, DANCE, DANCE ♪
732
00:53:06,099 --> 00:53:08,684
♪ PEOPLE DANCE, DANCE ♪
733
00:53:08,752 --> 00:53:11,753
♪ DANCE
DANCE, DANCE ♪
734
00:53:11,822 --> 00:53:14,990
HI !
HI.
735
00:53:15,059 --> 00:53:17,993
DO I--
SHANE.
736
00:53:18,062 --> 00:53:21,396
NICE TO MEET YOU,
SHANE.
LET'S GO, JULIE.
737
00:53:25,903 --> 00:53:28,320
NO TICKET, NO COAT.
738
00:53:28,388 --> 00:53:30,388
JUST LOOK FOR IT.
739
00:53:30,458 --> 00:53:32,958
DO YOU KNOW HOW MANY
BLACK LEATHER JACKETS
WITH POPPERS...
740
00:53:33,026 --> 00:53:35,861
AND A COCK RING
IN THE LEFT POCKET
WE GOT BACK HERE ?
741
00:53:35,930 --> 00:53:38,129
[ Goat Bleating ]
742
00:53:40,167 --> 00:53:42,935
♪ YOWZA, YOWZA, YOWZA ♪
743
00:53:43,004 --> 00:53:45,937
♪ I WANNA BOOGIE WITH YOU ♪
744
00:53:54,815 --> 00:53:57,582
YOU'RE KILLING ME !
LATER.
745
00:53:59,186 --> 00:54:01,320
HEY.
746
00:54:04,658 --> 00:54:06,791
- OHH !
- WHAT'S WRONG ?
747
00:54:06,860 --> 00:54:09,661
I STARTED TO TAKE A LEAK
AND IT FELT
LIKE RAZOR BLADES.
748
00:54:11,298 --> 00:54:13,865
UH-OH.
WHAT ?
749
00:54:13,934 --> 00:54:15,934
HEY, DON'T TELL ME
THAT'S YOUR FIRST.
750
00:54:16,003 --> 00:54:18,470
MY FIRST WHAT ?
751
00:54:18,539 --> 00:54:21,873
YOU GOT THE CLAP, MAN.
752
00:54:21,942 --> 00:54:25,277
SHIT.
WAKE UP.
753
00:54:31,902 --> 00:54:34,102
PENICILLIN, HUH ?
754
00:54:36,373 --> 00:54:39,608
WE MUST BE NEIGHBORS.
I LIVE JUST--
755
00:54:39,677 --> 00:54:43,445
DON'T WORRY.
YOUR SECRET IS SAFE WITH ME.
756
00:54:43,514 --> 00:54:45,514
SHANE O'SHEA.
757
00:54:45,582 --> 00:54:48,950
THANKS.
758
00:54:52,489 --> 00:54:54,523
SHIT.
[ Sighs ]
759
00:54:59,379 --> 00:55:03,082
THANKS, DOTTIE.
IT'S MONA.
760
00:55:03,150 --> 00:55:06,484
BUT THAT'S JUST BETWEEN
YOU AND ME TOO, OKAY ?
761
00:55:06,553 --> 00:55:08,520
OKAY.
762
00:55:08,589 --> 00:55:13,726
GRANDMA, LOOK IT.
OH, THAT'S BEAUTIFUL !
763
00:55:14,795 --> 00:55:18,163
NOW, CAN YOU SAY HI
TO SHANE ?
764
00:55:18,232 --> 00:55:21,934
- HI.
- HI.
765
00:55:22,002 --> 00:55:26,955
SWEET MEAT, SWEET MEAT,
GIVE DISCO DOTTIE
HER FUNKY LITTLE TREAT.
766
00:55:27,024 --> 00:55:30,242
HEY, ATLANTA, WE NEED
MORE CHAMPAGNE
ON THE BANQUETTE.
767
00:55:30,310 --> 00:55:34,412
ANTHONY'S HAVING A COW.
HE SAID WE WERE SHORT
A THOUSAND THE OTHER NIGHT.
768
00:55:34,481 --> 00:55:36,532
YEAH ?
YEAH.
769
00:55:36,600 --> 00:55:40,101
I GOT A FRIEND AT XENON
WHO'LL PUT YOU TO WORK
AND NOT BITCH ABOUT IT.
770
00:55:40,170 --> 00:55:44,205
HEY, WHY DON'T YOU
GO DANCE, OKAY ?
IT'S SLOWING DOWN OUT THERE.
771
00:55:44,274 --> 00:55:46,274
YEAH, THERE YOU GO.
772
00:55:48,646 --> 00:55:53,114
- WHAT ?
- I'M LETTING YOU GO.
YOU'RE FIRED.
773
00:55:53,184 --> 00:55:55,884
[ Chuckles ]
YOU CAN'T FIRE ME.
WHY WOULD YOU WANT TO ?
774
00:55:55,952 --> 00:55:58,620
YOUR STICKY LITTLE FINGERS.
DIDN'T YOU THINK ANTHONY
WOULD NOTICE ?
775
00:55:58,689 --> 00:56:03,058
- NOTICE WHAT ?
- OH, YOU'RE
EMBARRASSING YOURSELF.
776
00:56:03,126 --> 00:56:05,160
HERE. YOUR SEVERANCE.
777
00:56:09,667 --> 00:56:14,436
STEVIE, I'VE WORKED FOR YOU
FOR TEN YEARS.
778
00:56:14,505 --> 00:56:16,505
I HELPED YOU GET
YOUR FIRST STEAK HOUSE.
779
00:56:16,574 --> 00:56:20,842
YOU'VE BEEN HERE TOO LONG.
YOUR-- YOUR--
780
00:56:20,911 --> 00:56:23,779
YOUR PARANOIA
IS GETTING TO ME.
781
00:56:23,831 --> 00:56:26,764
IF THERE'S MONEY MISSING,
LOOK SOMEPLACE ELSE.
782
00:56:26,834 --> 00:56:31,303
ANTHONY'S HAVING A COW, OKAY ?
AND SOMEBODY'S HEAD
HAS TO ROLL.
783
00:56:31,371 --> 00:56:33,755
FUCK !
784
00:56:46,703 --> 00:56:49,504
♪ THROUGH THE YEARS ♪
785
00:56:49,573 --> 00:56:53,675
♪ WE ALL WILL BE TOGETHER ♪
786
00:56:53,744 --> 00:57:00,449
♪ IF THE FATES ALLOW ♪
787
00:57:02,520 --> 00:57:06,688
♪ HANG A SHINING STAR ♪
788
00:57:06,757 --> 00:57:09,892
♪ UPON THE HIGH ♪
789
00:57:09,960 --> 00:57:14,596
♪ THE HIGHEST BOUGH ♪
790
00:57:17,968 --> 00:57:20,936
♪ AND ♪
791
00:57:21,004 --> 00:57:23,872
♪ HAVE YOURSELF ♪
792
00:57:23,941 --> 00:57:29,878
♪ A MERRY LITTLE CHRISTMAS ♪
793
00:57:31,215 --> 00:57:35,633
♪ NOW ♪♪
794
00:57:37,371 --> 00:57:42,040
[ Applause ]
LADIES AND GENTLEMEN,
A CHRISTMAS PRESENT...
795
00:57:42,109 --> 00:57:45,210
FROM ME TO YOU.
796
00:57:51,301 --> 00:57:56,571
EVERY NIGHT I THINK
ABOUT STAYING HOME,
BUT THEN I COME TO MY SENSES...
797
00:57:56,640 --> 00:58:00,241
AND GIVE MYSELF
A GOOD KICK IN THE ASS.
[ Laughs ]
798
00:58:00,310 --> 00:58:03,712
♪ YOU LOOK PRETTY
NEW YORK CITY GIRL ♪
799
00:58:03,780 --> 00:58:05,914
♪ YOU MIGHT BREAK
MY HEART, BABY ♪
800
00:58:05,983 --> 00:58:09,417
♪ NEW YORK CITY GIRL ♪
801
00:58:09,486 --> 00:58:13,321
♪ YOU GREW UP
ON THE SUBWAYS ♪
802
00:58:13,390 --> 00:58:17,358
♪ RIDING WITH PEOPLE
UP IN HARLEM ♪♪
803
00:58:17,427 --> 00:58:20,812
♪♪ [ Continues, Indistinct ]
804
00:58:20,881 --> 00:58:23,649
MAN, LOOK AT THIS PIT.
805
00:58:24,652 --> 00:58:26,585
NICOTINE BREAK.
806
00:58:26,654 --> 00:58:28,587
RIGHT ON.
807
00:58:28,656 --> 00:58:31,189
THANK YOU.
808
00:58:31,258 --> 00:58:34,709
I THOUGHT THIS NIGHT
WOULD NEVER END.
809
00:58:34,778 --> 00:58:36,711
THANK GOD
IT'S CHRISTMAS.
810
00:58:36,780 --> 00:58:39,480
I CAN'T WAIT
TO GET OUT OF HERE.
811
00:58:39,550 --> 00:58:41,482
YOU GOIN' HOME
TOMORROW ?
812
00:58:41,552 --> 00:58:43,802
I DON'T THINK SO.
813
00:58:43,870 --> 00:58:46,371
I HAVEN'T TALKED
TO MY DAD IN, LIKE,
FOUR MONTHS.
814
00:58:48,075 --> 00:58:50,876
YOU KNOW, WHY DON'T YOU
COME WITH ME AND ANITA
TO HER MOTHER'S ?
815
00:58:50,944 --> 00:58:53,111
BE FUN.
816
00:58:54,764 --> 00:58:58,199
- THANKS.
- YEAH.
817
00:58:58,268 --> 00:59:01,702
LET'S CLEAN THIS PLACE UP.
LET'S GET OUTTA THIS HOLE.
818
00:59:01,771 --> 00:59:04,289
HEY, YOU HEAR,
ROMEO'S QUITTIN'
NEW YEAR'S EVE.
819
00:59:04,357 --> 00:59:06,658
IF YOU THINK I'M EVER
GONNA GET THAT JOB,
YOU'RE DREAMIN'.
820
00:59:06,727 --> 00:59:09,394
- HE'S NEVER GONNA
PROMOTE ME.
- HE MIGHT.
821
00:59:09,463 --> 00:59:11,463
LISTEN,
I'LL TALK TO HIM.
822
00:59:12,933 --> 00:59:15,367
ALL RIGHT.
ANYWAY, WHEN WE HAVE
OUR OWN PLACE,
823
00:59:15,436 --> 00:59:17,369
WE'LL DO ALL
OF THE HIRING, RIGHT ?
824
00:59:17,438 --> 00:59:19,438
YEAH, RIGHT.
825
00:59:21,642 --> 00:59:24,509
ALL RIGHT, I'LL MEET YOU
DOWNSTAIRS WHEN YOU FINISH
WITH THIS STUFF.
826
00:59:24,578 --> 00:59:26,511
SAY WHAT ?
827
00:59:26,580 --> 00:59:30,582
STEVE DOESN'T WANT ME
TO DO ANY MORE OF
THE BUSSING OR ANYTHING.
828
00:59:30,651 --> 00:59:32,584
ARE YOU FOR REAL ?
829
00:59:32,653 --> 00:59:35,053
WHAT ?
830
00:59:35,121 --> 00:59:37,055
YOU'RE GETTIN'
SO CONCEITED.
831
00:59:37,123 --> 00:59:39,190
IT'S LIKE I DON'T EVEN KNOW
WHO I'M TALKIN' TO ANYMORE.
832
00:59:39,259 --> 00:59:41,326
WHAT'S YOUR PROBLEM,
MAN ?
833
00:59:41,395 --> 00:59:44,329
YOU POUR DRINKS,
OR YOU HANG OUT WITH
SOME HIGH-CLASS ASSHOLES...
834
00:59:44,398 --> 00:59:47,198
AND SUDDENLY
YOU'RE SOME BIG STAR,
YOU CAN'T GET YOUR HANDS DIRTY ?
835
00:59:47,267 --> 00:59:50,902
OH, LOOK AT YOU.
DEALIN' MORE DRUGS
THAN JOHNSON and JOHNSON.
836
00:59:50,971 --> 00:59:54,506
- HEY, THAT MONEY'S
FOR ANITA'S STUDIO.
- OH, I SEE.
837
00:59:54,575 --> 00:59:57,942
YOUR HEAD'S FILLIN' UP
WITH SO MUCH SHIT YOU DON'T EVEN
KNOW WHAT YOU'RE TALKIN' ABOUT.
838
00:59:58,011 --> 01:00:00,862
HEY, GREG, COOL IT, MAN.
I'M YOUR FRIEND, ALL RIGHT ?
839
01:00:00,930 --> 01:00:05,600
- YEAH-- A FRIEND WHO'S
TRYIN' TO SCOPE MY WIFE.
- WHAT ARE YOU TALKING ABOUT ?
840
01:00:05,669 --> 01:00:07,902
SHE'S THE ONLY GIRL
THIS SIDE OF FIFTH AVENUE
YOU HAVEN'T BALLED.
841
01:00:07,971 --> 01:00:10,104
YOU DON'T KNOW WHAT
YOU'RE TALKIN' ABOUT.
FUCK YOU.
842
01:00:10,173 --> 01:00:12,708
SHANE 54.
843
01:00:15,212 --> 01:00:17,145
♪♪ [ Disco ]
844
01:00:17,214 --> 01:00:21,533
[ Man ]
♪ WE'LL HEAR THE THUNDER ROAR ♪
♪ FEEL THE LIGHTNIN' STRIKE ♪
845
01:00:21,601 --> 01:00:24,302
♪ I KNOW WE BOTH DECIDED
TO MEET ♪
846
01:00:24,371 --> 01:00:27,205
♪ SAME TIME TONIGHT ♪
847
01:00:27,274 --> 01:00:29,474
♪ DIG ON IN THERE, BABY ♪
848
01:00:29,543 --> 01:00:32,043
♪ DIG ON IN THERE, DARLIN' ♪
849
01:00:32,112 --> 01:00:34,112
♪ I'M GONNA GIVE YOU MORE ♪
850
01:00:34,181 --> 01:00:36,948
♪ THAN YOU'VE EVER
DREAMED POSSIBLE ♪
851
01:00:37,016 --> 01:00:40,051
♪ DON'T BE AFRAID, BABY ♪
852
01:00:40,120 --> 01:00:42,053
♪ OH, DARLIN' ♪
853
01:00:42,122 --> 01:00:44,222
COME ON.
LAY OFF.
854
01:00:44,291 --> 01:00:46,857
- LET'S GET OUT OF HERE.
- [ Spanish ]
855
01:00:48,061 --> 01:00:51,262
FUCK OFF.
I'M NOT YOUR SLAVE !
856
01:00:51,331 --> 01:00:54,532
♪ 'CAUSE THERE'S TRUE LOVE
BETWEEN US NOW ♪
857
01:00:55,702 --> 01:00:59,003
♪ OH, SO LET US TOUCH
THE GROUND ♪
858
01:00:59,072 --> 01:01:01,772
♪ AND LET IT ALL DISSOLVE ♪
859
01:01:01,841 --> 01:01:03,908
♪ OH, YEAH, WE'RE
ALMOST THERE, DARLIN' ♪
860
01:01:03,977 --> 01:01:07,078
♪ WE'RE TRULY MAKING LOVE ♪
861
01:01:07,147 --> 01:01:09,247
♪ HANG ON IN THERE, BABY ♪
862
01:01:09,316 --> 01:01:11,716
♪ DON'T YOU LET ME DOWN ♪
863
01:01:11,784 --> 01:01:14,018
♪ PLEASE DON'T DESTROY ♪
864
01:01:14,087 --> 01:01:16,187
♪ THIS NEW JOY
THAT WE'VE FOUND ♪♪
865
01:01:16,256 --> 01:01:18,256
♪♪ [ Continues, Indistinct ]
866
01:01:24,297 --> 01:01:26,831
YOU KNOW, I TOLD HIM
BEFORE WE GOT MARRIED.
867
01:01:26,899 --> 01:01:30,101
I TOLD HIM WHAT THE DEAL WAS.
I SAID, "I LOVE YOU,
BUT I NEED TO BE FREE.
868
01:01:30,170 --> 01:01:35,406
I NEED TO HAVE FUN.
MAYBE NOT FOREVER,
BUT FOR NOW."
869
01:01:35,475 --> 01:01:41,579
AND HE SAID, "IT'S OKAY,
WHATEVER YOU NEED.
I WANT YOU TO BE FREE."
870
01:01:41,648 --> 01:01:47,619
MY ASS !
I COULD FUCKIN' KILL HIM
WHEN HE GETS LIKE THAT.
871
01:01:54,894 --> 01:01:57,529
WHAT'S WRONG ?
872
01:02:24,991 --> 01:02:27,091
[ Panting ]
OHH.
873
01:02:29,328 --> 01:02:32,931
[ Moaning ]
[ Grunting ]
874
01:02:39,272 --> 01:02:42,707
SHANE--
SHANE, STOP. SHANE--
[ Moans ]
875
01:02:42,776 --> 01:02:46,243
LET HIM WATCH.
IT'S HIS BATHROOM.
876
01:02:53,720 --> 01:02:56,788
[ Groans, Retches ]
877
01:03:11,221 --> 01:03:16,024
[ Man On Radio ] THE DOW JONES
CONTINUED ITS SLIDE TODAY,
BRINGING THE DROP TO 90 POINTS.
878
01:03:16,092 --> 01:03:18,076
THE NEWS FROM WASHINGTON--
879
01:03:27,871 --> 01:03:30,939
HEY !
GOD, WHERE HAVE YOU
BEEN ?
880
01:03:31,007 --> 01:03:34,675
IT'S GREAT TO SEE YOU,
GRACIE !
THOSE FOR US ?
881
01:03:34,744 --> 01:03:37,678
WHOA ! TINSEL TEETH !
THANKS TO YOU.
882
01:03:37,747 --> 01:03:40,281
I SHOULDN'T HAVE
TOOK YOUR MONEY.
LET'S GO IN. I'M FREEZING.
883
01:03:40,350 --> 01:03:45,503
WHOA, NICE CAR !
IS IT YOURS ?
I'M FAMOUS, YOU KNOW.
884
01:03:45,572 --> 01:03:48,890
YEAH, I KNOW.
WE SAW YOU IN THE PAPER,
DANCIN' WITH SOME OLD LADY.
885
01:03:48,959 --> 01:03:52,227
AND I READ
THAT PRINCESS GRACE
SHOWED UP THERE TOO.
886
01:03:52,295 --> 01:03:55,863
DID YOU TELL HER
ABOUT US ?
I WAS OFF THAT NIGHT.
887
01:03:55,932 --> 01:03:59,200
OH.
COME ON.
I'M STARVED.
888
01:03:59,269 --> 01:04:02,553
WHY DON'T WE GO FOR A RIDE ?
NO ONE'S HOME, ANYWAY.
WHAT ?
889
01:04:02,623 --> 01:04:04,939
THEY-- THEY WENT
TO AUNT MARY'S.
890
01:04:13,066 --> 01:04:17,369
RICKO'S AUNT GOT INTO THE STUDIO
AND SHE TOLD DAD SHE SAW YOU
PUTTING SOMETHIN' UP YOUR NOSE.
891
01:04:17,437 --> 01:04:20,355
SHE'S SUCH A LIAR !
RIGHT ?
892
01:04:20,423 --> 01:04:23,358
HEY, MAYBE YOU CAN COME IN
AFTER I TALK 'EM INTO IT.
893
01:04:23,426 --> 01:04:26,294
NO, THANKS !
BUT-- BUT, SHANE !
894
01:04:42,245 --> 01:04:44,445
DON'T MAKE HIM
RIGHT ABOUT YOU, SHANE.
895
01:04:44,514 --> 01:04:47,282
THERE'S NOTHIN' WRONG
WITH THIS STUFF, GRACIE.
896
01:04:47,350 --> 01:04:50,084
HE DRINKS.
IT'S THE SAME THING.
GOOD.
897
01:04:50,153 --> 01:04:52,153
I WANNA TRY
ONE OF THESE.
898
01:05:25,188 --> 01:05:28,456
[ Shane ]
IN THE MORNING, I WENT
TO BREAKFAST AT THE ALPINE INN,
899
01:05:28,525 --> 01:05:32,493
LIKE WE USED TO
THE DAY AFTER CHRISTMAS
WHEN MOM WAS ALIVE.
900
01:05:33,479 --> 01:05:35,813
COULD I GET
A CAPPUCCINO, PLEASE ?
901
01:05:35,882 --> 01:05:38,849
EXCUSE ME ?
[ Woman Laughing ]
902
01:05:42,289 --> 01:05:44,222
WRONG SIDE
OF THE RIVER.
903
01:05:44,291 --> 01:05:46,857
HEY !
SHH !
904
01:05:46,927 --> 01:05:49,860
[ Whispers ]
HI !
905
01:05:49,930 --> 01:05:52,897
I'M SHANE. WE MET AT THE--
YEAH.
I KNOW WHO YOU ARE.
906
01:05:54,767 --> 01:05:58,303
UH, WOULD YOU MIND--
COULD I--
907
01:05:59,639 --> 01:06:01,639
SURE.
908
01:06:14,020 --> 01:06:17,488
UH, WHAT ARE YOU DOIN'
OUT HERE ?
909
01:06:17,557 --> 01:06:21,159
SPENDING THE WEEK
WITH MY PARENTS.
[ Laughing ]
910
01:06:21,227 --> 01:06:24,195
YEAH.
YOU LOOK LIKE YOU CRAWLED OUT
FROM UNDER A ROCK.
911
01:06:24,264 --> 01:06:26,564
[ Sighs ]
WELL.
912
01:06:26,632 --> 01:06:29,033
IT HASN'T BEEN
THE GREATEST HOMECOMING.
913
01:06:29,102 --> 01:06:31,069
I SEE.
914
01:06:31,137 --> 01:06:34,172
HEY, WAITRESS !
TWO CUPS OF COFFEE,
PLEASE.
915
01:06:34,240 --> 01:06:36,240
WHEN IN ROME.
916
01:06:42,582 --> 01:06:44,515
IT'S A WHOLE 'NOTHER WORLD,
HUH ?
917
01:06:44,584 --> 01:06:47,352
YOU'LL LEARN.
TWO LANGUAGES,
TWO SETS OF CLOTHES,
918
01:06:47,420 --> 01:06:49,854
TWO SETS OF FRIENDS.
919
01:06:49,922 --> 01:06:51,889
YOU KEPT YOUR FRIENDS
OUT HERE ?
WELL, NO.
920
01:06:51,958 --> 01:06:53,958
ACTUALLY, THE CLOTHES
WERE A LOT EASIER.
921
01:06:55,828 --> 01:07:00,764
[ Sighs ]
IT'S INSANE, ISN'T IT ?
922
01:07:00,833 --> 01:07:04,068
I MEAN, MANHATTAN
IS A WHOLE 'NOTHER PROBLEM.
UP ONE MINUTE, DOWN THE NEXT.
923
01:07:04,137 --> 01:07:07,771
- THE STORY OF MY LIFE,
ONE THOUSAND PERCENT.
- TWO THOUSAND PERCENT.
924
01:07:16,449 --> 01:07:19,450
YOU KNOW,
I'VE HAD SO MUCH COFFEE,
I'M READY TO TAKE FLIGHT.
925
01:07:21,821 --> 01:07:23,838
BIRD OF PARADISE.
926
01:07:37,320 --> 01:07:39,754
HOLD ON.
927
01:07:41,557 --> 01:07:43,557
SO YOU REMEMBER TODAY.
928
01:07:48,431 --> 01:07:50,431
THANK YOU.
929
01:08:04,781 --> 01:08:06,714
WHOA.
930
01:08:06,783 --> 01:08:08,783
WHO'D HAVE THOUGHT ?
HUH ?
931
01:08:10,153 --> 01:08:12,153
YOU WERE SO SWEET.
932
01:08:14,724 --> 01:08:18,326
TELL US WHAT WE WANT
TO HEAR ABOUT HIM,
OR WE'RE GONNA NAIL YOU.
933
01:08:18,395 --> 01:08:21,329
WE'RE TALKING AN AUDIT
THAT GOES ALL THE WAY BACK.
934
01:08:21,398 --> 01:08:23,731
AND MY FRIEND,
IF WE FIND SOMETHIN'
WE DON'T LIKE,
935
01:08:23,800 --> 01:08:25,733
AND BELIEVE ME,
WE WILL,
936
01:08:25,802 --> 01:08:27,735
GUESS WHAT ?
937
01:08:27,804 --> 01:08:30,738
YOUR HOUSE IS GONE.
YOUR CAR IS GONE.
938
01:08:30,807 --> 01:08:33,507
YOU ARE SERIOUSLY
GONE.
939
01:08:33,576 --> 01:08:35,677
I'M TALKIN'
10 TO 20 YEARS.
940
01:08:35,745 --> 01:08:38,279
YOUSE WANNA INVESTIGATE ?
GO AHEAD.
941
01:08:38,347 --> 01:08:42,684
MY CAR-- NOT IN MY NAME.
MY HOUSE-- NOT IN MY NAME.
942
01:08:42,752 --> 01:08:45,853
MY BANK ACCOUNT:
AIN'T GOT ONE.
943
01:08:45,922 --> 01:08:48,856
YOU KNOW WHAT I GOT ?
[ Italian ]
944
01:08:48,925 --> 01:08:51,159
WHAT ABOUT
THE DRUGS ?
945
01:08:51,227 --> 01:08:55,879
WERE THEY IN YOUR NAME ?
THEY WERE IN YOUR
GLOVE COMPARTMENT.
946
01:08:58,585 --> 01:09:00,985
YES !
947
01:09:01,054 --> 01:09:02,920
WOW.
948
01:09:02,989 --> 01:09:06,090
- YOU'RE GOOD.
- FOUR BROTHERS,
AND I NEVER LOST A GAME.
949
01:09:06,158 --> 01:09:08,158
OH, REALLY.
MM-HMM.
950
01:09:09,662 --> 01:09:11,662
I'VE BEEN MEANING
TO TELL YOU SOMETHING.
MM-HMM ?
951
01:09:13,766 --> 01:09:15,967
IT'S KINDA EMBARRASSING.
952
01:09:16,035 --> 01:09:18,335
YOU CAN TELL ME.
WHAT ARE YOU TALKING ABOUT ?
953
01:09:19,956 --> 01:09:23,324
WHEN I FIRST SAW
THAT PICTURE OF YOU
IN THE GOSSIP COLUMN,
954
01:09:23,393 --> 01:09:27,862
IT WAS... YOU KNOW,
INSPIRING.
955
01:09:27,930 --> 01:09:29,864
WHAT ?
I MEAN IT.
956
01:09:29,932 --> 01:09:32,834
JUST TO SEE
SOMEBODY ELSE FROM JERSEY
WHO MADE IT.
957
01:09:32,902 --> 01:09:34,836
[ Laughs ]
MADE IT ?
958
01:09:34,904 --> 01:09:36,871
YOU'RE KIDDING, RIGHT ?
I'M ON A SOAP.
959
01:09:36,939 --> 01:09:40,140
RIGHT.
WRONG.
SOAP WORK IS THE PITS !
960
01:09:40,209 --> 01:09:43,411
WHY DO YOU THINK
I'M AT 54 EVERY NIGHT ?
961
01:09:43,480 --> 01:09:47,915
I DON'T KNOW. MAYBE TO MEET
SOMEBODY INTERESTING.
EXACTLY.
962
01:09:49,919 --> 01:09:52,920
IN THIS BUSINESS
IT'S ALL ABOUT WHO YOU KNOW.
SINCE I'M GONNA GET A MOVIE--
963
01:09:52,989 --> 01:09:56,290
OR DIE TRYING--
THERE'S NO PLACE BETTER
THAN 54.
964
01:09:59,045 --> 01:10:02,046
ONE BIG BENDER
WITH BUSINESS CARDS.
965
01:10:04,350 --> 01:10:06,884
SEE, THE THING IS,
IF YOU MEET
THE RIGHT PRODUCER,
966
01:10:06,952 --> 01:10:10,321
LIKE ROLAND ZACKS,
FOR INSTANCE,
YOU'VE GOT IT MADE.
967
01:10:10,390 --> 01:10:14,925
I MEAN, HE'S GOT HIS HANDS
IN EVERYTHING: MUSIC, MOVIES,
CLUBS, EVERYTHING.
968
01:10:14,994 --> 01:10:18,029
RIGHT.
BUT YOU DON'T
NEED THAT.
969
01:10:18,097 --> 01:10:22,900
SHANE, COME ON.
YOU'RE A 54 BARTENDER.
YOU KNOW HOW THINGS WORK.
970
01:10:22,968 --> 01:10:26,137
YOU KNOW WHAT THIS
IS ALL ABOUT.
I MEAN, YOU'VE HAD TO MANEUVER.
971
01:10:26,205 --> 01:10:30,408
SOMETIMES, USE YOUR CHARM.
SOMETIMES, OTHER THINGS.
HMM ?
972
01:10:31,511 --> 01:10:33,511
OKAY, YOU GOT ME.
973
01:10:37,500 --> 01:10:39,366
[ P.A. Announcer ]
WHOEVER OWNS
THE SMALL LABRADOR,
974
01:10:39,436 --> 01:10:43,304
GET IT OUT,
WITH THE 1972 EL CAMINO,
RIGHT NOW.
975
01:10:47,127 --> 01:10:49,560
THIS PLACE
IS REALLY GREAT.
976
01:10:49,629 --> 01:10:51,662
YOU CAN ACTUALLY
SEE PEOPLE HERE.
977
01:10:51,731 --> 01:10:55,266
[ Laughing ]
YOU'RE CUTE.
978
01:11:02,242 --> 01:11:04,775
STARTING THE DECADE
WITH THE PERFECT KISS.
979
01:11:04,844 --> 01:11:08,296
WHAT COULD BE BETTER
THAN THAT ?
PICKING UP THAT 7-10 SPLIT.
980
01:11:08,364 --> 01:11:10,798
OH, YEAH ?
I'M GONNA DO IT FIRST !
NO, YOU'RE NOT, IT'S MINE !
981
01:11:10,866 --> 01:11:13,467
FORGET IT !
COME ON !
[ Giggling ]
982
01:11:13,536 --> 01:11:15,369
HEY !
GIMME THAT BALL !
983
01:11:15,438 --> 01:11:17,472
[ Man On Radio ]
MAYOR KOCH EXPECTS
THE BIGGEST THRONGS...
984
01:11:17,540 --> 01:11:20,574
OF NEW YEAR'S REVELERS
IN BIG APPLE HISTORY
TO RING IN THE '80s.
985
01:11:20,643 --> 01:11:22,710
ON THE OTHER SIDE
OF THE BIG BLUE MARBLE,
986
01:11:22,778 --> 01:11:26,680
IT'S DAY 58 OF THE AMERICAN
HOSTAGE CRISIS IN IRAN,
WITH NO END IN SIGHT.
987
01:11:26,749 --> 01:11:30,118
[ Car Horn Honking ]
OOPS.
988
01:11:30,186 --> 01:11:32,286
[ Steve ]
YEAH, OF COURSE YOU'RE
ON THE LIST !
989
01:11:32,355 --> 01:11:34,622
[ Steve Laughing ]
OKAY.
990
01:11:34,691 --> 01:11:36,323
OKAY.
991
01:11:36,392 --> 01:11:38,793
WHAT'S THIS ?
992
01:11:38,862 --> 01:11:41,796
THAT'S
THE MISSING MONEY.
993
01:11:41,865 --> 01:11:43,865
I TOOK IT.
994
01:11:43,933 --> 01:11:47,068
WHAT MONEY ?
995
01:11:47,137 --> 01:11:49,070
YOU KNOW,
ANTHONY'S MONEY.
996
01:11:49,139 --> 01:11:51,072
OHH !
THAT'S ADORABLE.
997
01:11:51,141 --> 01:11:52,573
YOU KNOW,
GREG'S VERY LUCKY...
998
01:11:52,642 --> 01:11:55,342
TO HAVE A FRIEND LIKE YOU
TO COVER FOR HIM.
999
01:11:55,411 --> 01:12:00,197
YOU KNEW ?
YEAH, YOU KNOW--
[ Sighs ]
1000
01:12:00,266 --> 01:12:02,199
I SEE EVERYTHING
THAT GOES ON HERE.
1001
01:12:02,268 --> 01:12:05,169
YOU DON'T THINK I'M WATCHING,
BUT I AM.
1002
01:12:05,238 --> 01:12:09,640
HE NEVER WOULD HAVE TOUCHED
THAT MONEY, IF HE'D BEEN MADE
A BARTENDER IN THE FIRST PLACE.
1003
01:12:09,708 --> 01:12:11,642
HE'S REALLY
A GREAT GUY, STEVE.
1004
01:12:11,710 --> 01:12:14,911
HE THOUGHT HE'D BE A BUSBOY
FOR THE REST OF HIS LIFE.
YEAH, I'M SURE.
1005
01:12:14,980 --> 01:12:17,848
CAN'T YOU GIVE HIM
A BREAK ?
1006
01:12:17,916 --> 01:12:21,685
[ Sighs ]
SO.
1007
01:12:21,754 --> 01:12:26,240
YOU WANT ME
TO MAKE HIM A BARTENDER NOW.
1008
01:12:27,476 --> 01:12:29,543
[ Sighs ]
1009
01:12:29,612 --> 01:12:34,749
YOU KNOW, I AM TOO NICE
FOR MY OWN GOOD,
BECAUSE PEOPLE TAKE ADVANTAGE.
1010
01:12:36,085 --> 01:12:39,319
THANKS, STEVE.
DON'T YOU SAY ANYTHING
TO HIM ABOUT IT.
1011
01:12:39,388 --> 01:12:41,789
OKAY.
I'LL TELL HIM MYSELF.
1012
01:12:43,793 --> 01:12:47,427
WHY'S EVERYONE SO SENTIMENTAL
THIS TIME OF YEAR ?
1013
01:12:47,496 --> 01:12:50,030
I HATE THE HOLIDAYS.
1014
01:12:50,099 --> 01:12:52,049
[ Sighs ]
1015
01:12:52,118 --> 01:12:56,003
[ Woman ]
♪ FOUND A CURE ♪
1016
01:12:57,606 --> 01:13:02,226
♪ OOH, FOR YOUR HEARTACHE ♪
1017
01:13:02,311 --> 01:13:07,414
♪ BEFORE YOU WAKE
BEFORE YOU WAKE ♪♪
GREG ! HEY, MAN.
1018
01:13:07,483 --> 01:13:09,416
IT'S GREAT
TO SEE YOU.
1019
01:13:09,485 --> 01:13:13,720
I WASN'T SURE
IF YOU WERE COMIN' BACK.
I COULDN'T MISS ANITA TONIGHT.
1020
01:13:13,790 --> 01:13:17,224
PLUS, I SHOULD MEET UP
WITH MY VERY-POSSIBLY
GIRLFRIEND.
1021
01:13:17,293 --> 01:13:20,194
GIRLFRIEND.
IS THAT WHERE YOU'VE BEEN ?
YEAH.
1022
01:13:20,263 --> 01:13:22,930
- JULIE BLACK, MAN !
- BULLSHIT !
1023
01:13:22,999 --> 01:13:25,365
I'M NOT JIVIN' YOU,
I SWEAR.
THAT'S GREAT, MAN.
1024
01:13:25,434 --> 01:13:28,102
♪ WHATEVER IT IS
LOVE WILL FIX IT ♪
HEY, LOOK.
1025
01:13:28,171 --> 01:13:31,205
I GOTTA GO FIND ANTHONY.
YOU NEED ANY PARTY MATERIALS ?
1026
01:13:31,274 --> 01:13:33,874
NO, THANKS.
NOT TONIGHT.
♪ FOUND A CURE ♪
1027
01:13:33,943 --> 01:13:38,445
[ Horns Blowing,
Crowd Talking, Shouting ]
1028
01:13:38,514 --> 01:13:40,647
STEVE !
1029
01:13:40,716 --> 01:13:44,185
COME ON.
I'VE BEEN HERE EVERY HOLIDAY.
IT'S NEW YEAR'S EVE.
1030
01:13:44,253 --> 01:13:46,187
PLEASE, I'M SO LONELY.
1031
01:13:46,255 --> 01:13:49,190
- GO HOME, HONEY.
- THIS IS MY HOME.
1032
01:13:49,258 --> 01:13:51,258
PLEASE !
1033
01:13:52,245 --> 01:13:57,131
♪♪ [ Continues ]
1034
01:13:57,200 --> 01:14:00,468
♪ WHENEVER IT RAINS
YOU'LL HAVE BLUE SKIES ♪
1035
01:14:00,536 --> 01:14:04,137
♪ FOUND A CURE ♪
♪ I'M TELLIN' YOU ♪
1036
01:14:04,206 --> 01:14:07,842
♪ FOUND A CURE ♪
REMEMBER WHAT HAPPENS
TOMORROW ?
1037
01:14:07,910 --> 01:14:09,844
IT'S A NEW DECADE,
TURKEY.
♪ FOUND A ♪
1038
01:14:09,912 --> 01:14:11,979
♪ CURE ♪
THE NEW BARTENDER
GETS ANNOUNCED.
1039
01:14:12,047 --> 01:14:15,048
OH, RIGHT.
IT'S LOOKING GOOD
FOR YOU FOR SURE, MAN.
1040
01:14:15,117 --> 01:14:17,050
REALLY ?
[ Steve ]
HEY, HEY !
1041
01:14:17,119 --> 01:14:19,920
YOUR FAIRY TALE WISH
JUST CAME TRUE.
1042
01:14:19,989 --> 01:14:22,456
I'VE GOT A VERY SPECIAL JOB
FOR YOU TONIGHT.
1043
01:14:22,525 --> 01:14:24,692
GRACE KELLY'S COMING,
1044
01:14:24,760 --> 01:14:26,694
AND I WANT YOU
TO TAKE CARE OF HER.
1045
01:14:26,762 --> 01:14:30,263
NO SHIT !
YES, BUT TRY NOT TO SAY
"SHIT" AROUND HER, OKAY ?
1046
01:14:30,332 --> 01:14:33,266
SHE IS FROM PHILLY,
BUT I DON'T THINK
SHE DOES THAT ANYMORE.
1047
01:14:33,335 --> 01:14:35,253
NO, NOT TONIGHT.
1048
01:14:35,321 --> 01:14:38,456
NOT TONIGHT !
NEVER, NEVER, NEVER
COME TO ME LIKE THAT !
1049
01:14:38,524 --> 01:14:40,825
♪ FOUND A CURE ♪
1050
01:14:40,893 --> 01:14:42,843
♪ FOUND A CURE
OOH ♪♪
1051
01:14:42,912 --> 01:14:44,912
ARE YOU SLEEPIN' ?
1052
01:14:46,516 --> 01:14:49,049
IS GRACIE THERE ?
1053
01:14:49,118 --> 01:14:51,218
WELL, TELL HER
I'M GONNA MEET
PRINCESS GRACE TONIGHT.
1054
01:14:51,286 --> 01:14:54,488
[ Gracie Screaming ]
NO WAY !
1055
01:14:54,557 --> 01:14:56,557
[ Man ]
YEAH !
♪♪ [ Continues ]
1056
01:14:58,711 --> 01:15:03,030
I JUST WANTED TO WISH YOU
GOOD LUCK TONIGHT.
YOU'RE GONNA BE GREAT.
1057
01:15:07,437 --> 01:15:15,826
[ Cork Pops ]
AAH !
HAPPY NEW YEAR !
1058
01:15:17,797 --> 01:15:21,499
HEY !
IT'S ERROL FLYNN !
HEY, ROLAND !
1059
01:15:21,567 --> 01:15:24,535
IT'S GREAT TO SEE YOU, MAN.
I'VE BEEN TRYIN' TO REACH YOU--
H-H-HOLD ON.
1060
01:15:24,604 --> 01:15:27,004
MY DATE'S GETTING CRUSHED.
1061
01:15:27,072 --> 01:15:29,774
OH. HI.
1062
01:15:31,043 --> 01:15:32,777
HI.
1063
01:15:32,845 --> 01:15:35,780
[ Roland ]
I'VE GOT A GREAT IDEA.
1064
01:15:35,848 --> 01:15:37,848
[ Whispering ]
1065
01:15:39,185 --> 01:15:40,951
[ Whispering ]
1066
01:15:41,020 --> 01:15:45,690
OH, COME ON.
IT'LL BE WILD.
1067
01:15:45,758 --> 01:15:47,725
LISTEN, SOME OF US
ARE GOING BACK
TO ROLAND'S HOUSE LATER.
1068
01:15:47,794 --> 01:15:50,060
HE WANTS TO KNOW.
YOU WANT TO COME.
1069
01:15:51,230 --> 01:15:53,864
ACTUALLY, IT'LL JUST
BE THE THREE OF US.
1070
01:15:57,236 --> 01:15:59,169
THERE GOES DONALD.
1071
01:15:59,238 --> 01:16:01,238
EXCUSE ME.
1072
01:16:04,377 --> 01:16:06,310
I-I DON'T UNDERSTAND.
1073
01:16:06,379 --> 01:16:09,613
I THOUGHT WE, YOU KNOW,
CONNECTED.
1074
01:16:09,682 --> 01:16:11,615
SHANE,
I ALREADY EXPLAINED
THIS TO YOU.
1075
01:16:11,684 --> 01:16:14,251
MY CAREER
IS REALLY IMPORTANT
TO ME RIGHT NOW.
1076
01:16:14,320 --> 01:16:16,620
LISTEN, SHANE.
I LIKE YOU, I REALLY DO.
1077
01:16:16,689 --> 01:16:18,622
BUT DROP THE FANTASY,
OKAY ?
1078
01:16:18,691 --> 01:16:21,024
I'M BUILDING SOMETHING HERE.
I THOUGHT YOU WANTED
TO GET AHEAD TOO.
1079
01:16:21,093 --> 01:16:25,429
ROLAND'S THE KIND OF GUY WHO
CAN MAKE THAT HAPPEN FOR YOU.
DON'T YOU WANT THAT ?
1080
01:16:27,600 --> 01:16:30,234
NOT THAT WAY.
1081
01:16:33,589 --> 01:16:37,508
[ All Shouting ]
TEN. NINE. EIGHT.
SEVEN. SIX.
1082
01:16:37,576 --> 01:16:41,695
FIVE. FOUR. THREE.
TWO. ONE !
1083
01:16:41,764 --> 01:16:44,347
HAPPY NEW YEAR !
1084
01:16:44,417 --> 01:16:47,183
[ Shouting, Cheering ]
[ Horns Blowing ]
1085
01:16:47,252 --> 01:16:49,620
[ Applause,
Cheering Continues ]
OKAY.
1086
01:16:53,459 --> 01:16:58,194
FIRST, I WANT TO TELL
YOU ALL SOMETHING...
1087
01:16:59,632 --> 01:17:01,965
THAT MOST OF YOU
ALREADY KNOW.
1088
01:17:03,669 --> 01:17:06,403
I LOVE YOU.
1089
01:17:06,472 --> 01:17:09,373
YEAH !
[ Man ]
LOVE YOU TOO, STEVE !
1090
01:17:13,546 --> 01:17:17,181
[ Thump, Audio Feedback,
Amplified Sniff ]
AHH !
1091
01:17:17,249 --> 01:17:22,453
SECONDLY, THERE HAVE BEEN
A FEW LITTLE RUMORS
FLOATING AROUND...
1092
01:17:22,521 --> 01:17:24,621
ABOUT ME AND A CERTAIN
GOVERNMENT AGENCY.
1093
01:17:24,690 --> 01:17:28,125
BUT REST ASSURED,
THAT'S ALL TAKEN
CARE OF.
1094
01:17:28,194 --> 01:17:30,294
JUST TRY AND TANGLE
WITH ME !
1095
01:17:30,362 --> 01:17:33,997
[ Audience Laughing,
Cheering ]
RIGHT ON, STEVE !
1096
01:17:34,066 --> 01:17:38,668
AND NOW,
I WANT TO INTRODUCE TO YOU
A BRAND NEW TALENT,
1097
01:17:38,737 --> 01:17:40,837
A TALENT FOR THE '80s
THAT I DISCOVERED...
1098
01:17:40,906 --> 01:17:43,107
IN THE COATROOM,
BELIEVE IT OR NOT.
1099
01:17:43,175 --> 01:17:46,676
PLEASE WELCOME...
ANITA !
1100
01:17:46,745 --> 01:17:48,745
[ Smattering Of Applause ]
1101
01:17:55,588 --> 01:17:57,521
[ Audio Feedback ]
1102
01:17:57,590 --> 01:18:03,360
♪ TONIGHT IS THE NIGHT
I'LL FLY ♪
1103
01:18:03,428 --> 01:18:07,698
♪ SPREAD MY WINGS ♪
1104
01:18:07,766 --> 01:18:10,467
♪ AND TOUCH THE SKY ♪
1105
01:18:12,270 --> 01:18:17,808
♪ TONIGHT IS THE NIGHT
I'LL SEE ♪
1106
01:18:17,894 --> 01:18:21,428
♪ EVERYTHING ♪
1107
01:18:21,497 --> 01:18:23,797
♪ THAT'S WAITING ♪
1108
01:18:23,866 --> 01:18:28,185
♪ FOR ME ♪
1109
01:18:31,540 --> 01:18:35,792
♪ I'M LOVIN' THIS COOL WORLD
THAT I'M IN ♪
1110
01:18:39,498 --> 01:18:43,300
♪ YOU KNOW IT FITS ME
LIKE A SECOND SKIN ♪
1111
01:18:45,821 --> 01:18:49,924
♪ AND THEY SAY IT COMES
AND GOES SO FAST ♪
1112
01:18:49,992 --> 01:18:53,677
♪ BUT WE'VE GOT SOMETHIN'
BUILT TO LAST ♪
1113
01:18:53,745 --> 01:18:57,831
♪ OH, BABY, IT'S YOUR LOVE
THAT SETS ME FREE ♪
1114
01:18:57,900 --> 01:19:00,534
♪ OHH, OHH, OHH, OHH ♪
1115
01:19:00,602 --> 01:19:03,486
♪ TONIGHT IS THE NIGHT
I'LL FLY ♪
1116
01:19:03,556 --> 01:19:07,224
♪ SPREAD MY WINGS
AND TOUCH THE SKY ♪
1117
01:19:07,293 --> 01:19:10,511
♪ TONIGHT IS THE NIGHT
I'LL SEE ♪
1118
01:19:10,563 --> 01:19:14,865
♪ EVERYTHING
THAT'S WAITING FOR ME ♪
1119
01:19:14,934 --> 01:19:18,602
♪ OH, OH, YEAH
OH, ALL RIGHT ♪
1120
01:19:18,671 --> 01:19:22,323
♪ TONIGHT I'LL FLY ♪
1121
01:19:22,391 --> 01:19:25,926
♪ OH, OH, YEAH
OH, ALL RIGHT ♪
1122
01:19:25,995 --> 01:19:28,712
♪ TONIGHT IS THE NIGHT ♪
1123
01:19:28,780 --> 01:19:33,217
♪ I'VE GOTTA BE FREE ♪
1124
01:19:33,285 --> 01:19:35,219
♪ GET DOWN ♪
1125
01:19:35,287 --> 01:19:37,538
♪ EVERYBODY GET DOWN ♪
1126
01:19:37,590 --> 01:19:40,708
♪ GET DOWN
EVERYBODY GET DOWN ♪
YEAH !
1127
01:19:40,776 --> 01:19:43,544
♪ TONIGHT'S THE NIGHT
TONIGHT'S THE NIGHT
I FLY ♪
1128
01:19:43,612 --> 01:19:47,898
♪ TONIGHT'S THE NIGHT
TONIGHT'S THE NIGHT
I FLY ♪
1129
01:19:47,984 --> 01:19:50,667
♪ TONIGHT'S THE NIGHT
TONIGHT'S THE NIGHT
I FLY ♪
1130
01:19:50,736 --> 01:19:53,169
SING IT WITH ME !
♪ TONIGHT'S THE NIGHT ♪
1131
01:19:53,238 --> 01:19:56,239
♪ TONIGHT'S THE NIGHT
I'LL FLY ♪
♪ OOH, OOH ♪
1132
01:19:58,611 --> 01:20:00,711
♪ OOH, OOH ♪
1133
01:20:00,779 --> 01:20:02,796
♪ OOH, OOH ♪
1134
01:20:05,835 --> 01:20:07,767
♪ OOH, OOH ♪♪
1135
01:20:07,837 --> 01:20:09,569
♪♪ [ Stops ]
1136
01:20:09,638 --> 01:20:12,089
[ Woman In Crowd ]
IT'S THAT OLD LADY THAT DISCOS.
1137
01:20:14,093 --> 01:20:16,042
[ Man In Crowd ]
YOU BETTER GET SOMEONE.
1138
01:20:16,111 --> 01:20:18,112
[ Crowd Chattering ]
1139
01:20:21,650 --> 01:20:23,634
TURN ON THE LIGHTS !
1140
01:20:26,672 --> 01:20:28,939
[ Crowd Gasps ]
1141
01:20:30,943 --> 01:20:32,959
DOTTIE ?
1142
01:20:34,096 --> 01:20:36,096
DOTTIE.
1143
01:20:40,202 --> 01:20:42,202
MONA ?
1144
01:21:09,231 --> 01:21:11,165
[ Man ]
GET AN AMBULANCE.
[ Man ] GET HER UP.
1145
01:21:11,233 --> 01:21:13,733
[ Man ]
YOU GOT HER ?
1146
01:21:14,803 --> 01:21:16,770
CAREFUL !
[ Woman ]
LET THEM THROUGH !
1147
01:21:18,207 --> 01:21:21,141
LET'S CLEAR A PATH, HERE.
PEOPLE, PLEASE.
1148
01:21:25,463 --> 01:21:27,414
♪♪ [ Disco ]
1149
01:21:27,483 --> 01:21:41,945
♪♪
1150
01:21:42,014 --> 01:21:45,048
♪ GO, GO, GO, GO, GO ♪
1151
01:21:45,117 --> 01:21:48,685
♪ GO, GO, GO, GO, GO ♪
HEY, HEY, HEY !
1152
01:21:48,754 --> 01:21:51,021
PRINCESS GRACE IS HERE,
AND SHE'S THIRSTY.
1153
01:21:51,089 --> 01:21:53,023
WHAT ?
THIS WAY. YOU'RE ON.
COME ON !
1154
01:21:53,091 --> 01:21:57,995
SHANEY !
SHANEY, IT'S BEEN
A MEAN NIGHT, OKAY ?
1155
01:21:58,063 --> 01:22:01,431
I'LL CRY ABOUT IT TOMORROW.
I WILL.
1156
01:22:01,500 --> 01:22:03,700
BUT TONIGHT,
THE SHOW MUST GO ON.
LET'S GO.
1157
01:22:03,769 --> 01:22:06,503
I-I-I CAN'T TALK
TO ANYBODY !
1158
01:22:06,572 --> 01:22:10,674
WE DID IT TO HER !
THIS PLACE DID !
HEY ! COME ON !
1159
01:22:10,743 --> 01:22:14,912
YOU CAN'T BLAME YOURSELF
'CAUSE SHE COULDN'T HANDLE
HER DRUGS.
1160
01:22:14,980 --> 01:22:17,548
COME ON. LET'S GO.
COME ON. COME ON.
1161
01:22:17,616 --> 01:22:20,551
IT'LL CALM YOU DOWN.
COME ON. TAKE IT.
1162
01:22:20,619 --> 01:22:24,154
THIS ISN'T RIGHT.
PRINCESS GRACE IS HERE.
1163
01:22:24,222 --> 01:22:26,690
OKAY ?
PRINCESS GRACE.
1164
01:22:26,759 --> 01:22:30,827
WE LOST A FRIEND TONIGHT !
NO, NO, NO.
I LOST A FRIEND TONIGHT.
1165
01:22:30,896 --> 01:22:33,163
NO OFFENSE, BUT YOU WERE
JUST ANOTHER PRETTY FACE TO HER.
1166
01:22:33,231 --> 01:22:35,198
SHE WAS MY FRIEND.
SHE WAS COMPLETELY
NEARSIGHTED.
1167
01:22:35,267 --> 01:22:37,200
SHE COULDN'T TELL ONE OF YOU
FROM THE NEXT.
1168
01:22:37,269 --> 01:22:39,369
NOW GET IT TOGETHER.
GET DOWNSTAIRS.
1169
01:22:40,372 --> 01:22:42,305
HEY !
1170
01:22:42,374 --> 01:22:44,841
DON'T FORGET
HOW REPLACEABLE YOU ARE,
LITTLE LORD FAUNTLEROY.
1171
01:22:44,910 --> 01:22:47,578
TRY TELLIN' THEM THAT,
STEVIE.
1172
01:22:47,646 --> 01:22:50,380
REMEMBER,
I'M ONE OF NEW YORK'S FINEST.
I'M SHANE 54.
1173
01:22:50,449 --> 01:22:52,649
[ Sighs ]
OH.
1174
01:22:52,718 --> 01:22:55,986
LIKE THERE WASN'T
A GABRIEL 54
AND A RHETT 54.
1175
01:22:56,055 --> 01:22:59,590
BULLSHIT.
OH, NO.
1176
01:22:59,658 --> 01:23:04,160
DON'T TELL ME THAT'S
THE FIRST TIME YOU EVER READ
AN INTERVIEW MAGAZINE.
1177
01:23:04,229 --> 01:23:07,497
OH, NO !
[ Laughing ]
1178
01:23:07,566 --> 01:23:09,566
FUCK YOU !
1179
01:23:10,803 --> 01:23:12,736
YOU TROGLODYTE.
1180
01:23:12,805 --> 01:23:14,738
HEY, WHERE YOU GOIN' ?
HUH ?
1181
01:23:14,807 --> 01:23:17,040
THE DOOR'S THAT WAY !
HE'S OUT !
1182
01:23:17,109 --> 01:23:19,710
[ Sirens ]
1183
01:23:22,931 --> 01:23:26,266
[ Man ]
♪ QUE SERA ♪
1184
01:23:26,335 --> 01:23:31,538
♪ MI VIDA ♪
1185
01:23:31,607 --> 01:23:34,475
♪♪ [ Continues ]
1186
01:23:38,113 --> 01:23:41,598
♪ QUE SERA ♪
1187
01:23:41,667 --> 01:23:45,135
♪ MI VIDA ♪♪
I LOVE YOU.
1188
01:23:50,308 --> 01:23:52,776
[ Woman ]
♪ WHEN I'M FEELING LONELY ♪
1189
01:23:52,845 --> 01:23:54,778
♪ COME ON, TELEPHONE ME ♪
1190
01:23:54,847 --> 01:23:57,798
♪ IT'S GETTING HARD
TO PASS MY TIME ♪
[ Man ] I.R.S.
1191
01:23:57,867 --> 01:24:01,268
♪ TAKE ME OUT AND TRY ME
WATCH ME WHILE I'M SMILING ♪
1192
01:24:01,336 --> 01:24:05,655
- ♪ BABY, IT'S A WASTE OF TIME ♪
- THEY'RE HERE.
1193
01:24:05,724 --> 01:24:07,991
♪ I NEED A MAN
PERHAPS A MAN LIKE YOU ♪
SHANE.
1194
01:24:08,060 --> 01:24:11,194
I-I-I KNEW
YOU'D COME TO YOUR SENSES.
MEINE KLEINE SHANE.
1195
01:24:11,263 --> 01:24:13,630
I WENT DOWNSTAIRS
TO GET MY KEYS,
AND THEY'RE RAIDING THE OFFICE.
1196
01:24:13,699 --> 01:24:18,768
♪ TO MAKE MY DREAMS
COME TRUE ♪
1197
01:24:18,837 --> 01:24:21,955
♪♪ [ Continues, Indistinct ]
1198
01:24:22,024 --> 01:24:24,541
EVEN FROM HERE,
THOSE SUITS LOOK CHEAP.
1199
01:24:28,147 --> 01:24:32,332
STEVE.
AREN'T YOU GONNA GET
OUT OF HERE ?
1200
01:24:35,337 --> 01:24:38,321
WHERE WOULD I GO ?
1201
01:24:40,342 --> 01:24:45,512
♪ I NEED A MAN
TO MAKE MY DREAMS AND ♪
1202
01:24:45,581 --> 01:24:48,298
♪ I NEED A MAN ♪♪
LET'S GO, SHANE.
1203
01:24:48,366 --> 01:24:51,301
WHAT ARE YOU GUYS
DOIN' ?
STEVE WANTS YOU OUT !
1204
01:24:51,369 --> 01:24:54,838
GET OFF OF ME !
YO, BILLY !
COME ON !
1205
01:24:54,907 --> 01:24:56,840
COME ON, GUYS !
1206
01:24:56,909 --> 01:24:59,542
GET OUTTA HERE !
1207
01:25:01,747 --> 01:25:03,680
I GOTTA GET MY WALLET !
1208
01:25:03,749 --> 01:25:05,749
GET OUTTA HERE !
1209
01:25:13,943 --> 01:25:16,977
[ Shouting ]
HEY, THESE HANDCUFFS
ARE TOO TIGHT !
1210
01:25:17,045 --> 01:25:22,365
THEY'LL LEAVE MARKS.
WHAT AM I, PUBLIC ENEMY
NUMBER ONE, FOR CHRIST'S SAKE ?
1211
01:25:22,434 --> 01:25:23,884
HUH ?
1212
01:25:23,953 --> 01:25:27,187
PUT YOUR HEAD DOWN.
GET IN THERE !
1213
01:25:27,255 --> 01:25:30,757
THIS IS SO TACKY.
1214
01:25:46,808 --> 01:25:48,842
SHANE !
1215
01:25:48,911 --> 01:25:50,978
YOU WANT A RIDE ?
1216
01:26:00,589 --> 01:26:02,522
LOOK, SHANE, I'M SORRY.
1217
01:26:02,591 --> 01:26:05,959
I KNOW I ACTED LIKE A FOOL,
BUT YOU KNOW HOW IT GETS
IN THERE.
1218
01:26:07,596 --> 01:26:09,529
WHERE'S ROLAND ?
1219
01:26:09,598 --> 01:26:12,616
I LOST HIM
IN THE BALCONY.
1220
01:26:12,684 --> 01:26:15,018
I'M SORRY.
COME ON.
1221
01:26:15,086 --> 01:26:17,020
WHAT ABOUT
YOUR CAREER ?
1222
01:26:17,088 --> 01:26:20,857
I THOUGHT THAT
WAS YOUR BIG PRIORITY.
YEAH, WELL...
1223
01:26:20,943 --> 01:26:24,278
I'M NOT SO SURE
ANYMORE.
1224
01:26:28,767 --> 01:26:31,234
ME NEITHER.
1225
01:26:31,303 --> 01:26:33,770
SO, NOW WHAT ?
1226
01:26:35,908 --> 01:26:38,541
I LIKE YOU, SHANE.
1227
01:26:38,610 --> 01:26:40,977
LET'S FACE IT.
WE'RE JERSEY.
1228
01:26:41,046 --> 01:26:43,947
YEAH, WE ARE.
1229
01:26:46,218 --> 01:26:48,151
SO--
1230
01:26:48,220 --> 01:26:50,854
FRIENDS ?
1231
01:26:55,060 --> 01:26:57,160
FRIENDS.
1232
01:27:04,836 --> 01:27:09,622
[ Man On Radio ] AGENTS
OF THE I.R.S. AND F.B.I. RAIDED
THE HIGHLY POPULAR STUDIO 54.
1233
01:27:09,691 --> 01:27:11,624
[ Shane ]
SO THAT'S HOW MY DECADE ENDED.
1234
01:27:11,693 --> 01:27:14,978
IN THE YEAR AND A HALF STEVE WAS
IN JAIL, THINGS CHANGED A LOT.
1235
01:27:15,047 --> 01:27:20,083
BIG CORPORATIONS HAD TAKEN OVER
THE NEW YORK CLUB WORLD,
DOING WHAT CORPORATIONS DO.
1236
01:27:20,152 --> 01:27:24,620
MAKING EVERYTHING
SAFE AND BORING.
THE FREEDOM WAS GONE.
1237
01:27:24,690 --> 01:27:28,558
I KEPT IN TOUCH WITH JULIE.
SHE WAS DOING ALL RIGHT.
1238
01:27:28,626 --> 01:27:31,260
SHE MOVED TO HOLLYWOOD AND GOT
A SMALL PART IN A GOOD FILM.
1239
01:27:31,329 --> 01:27:34,230
I HADN'T SEEN GREG AND ANITA
IN A WHILE.
1240
01:27:34,299 --> 01:27:38,501
BROUGHT BACK TOO MANY MEMORIES.
BUT THEY WERE STILL TOGETHER,
DOING FINE.
1241
01:27:38,570 --> 01:27:41,671
ANITA RECORDED
A GREAT ALBUM WITH CASABLANCA,
1242
01:27:41,740 --> 01:27:43,773
BUT SOME PEOPLE THOUGHT
IT WAS TOO DISCO.
1243
01:27:43,842 --> 01:27:48,511
I'D BEEN TAKING BUSINESS CLASSES
AT N.Y.U. DURING THE DAY,
1244
01:27:48,580 --> 01:27:50,847
AND MANAGING A RESTAURANT
IN THE VILLAGE AT NIGHT.
1245
01:27:50,916 --> 01:27:54,150
AS FAR AS MY DAD WENT,
THINGS WERE BETTER THERE TOO.
1246
01:27:54,219 --> 01:27:58,621
I GOT TO JERSEY
TO SEE HIM AND MY SISTERS
ABOUT ONCE A WEEK.
1247
01:27:58,690 --> 01:28:03,259
WHEN I HEARD ABOUT
STEVIE'S WELCOME BACK PARTY,
I COULDN'T RESIST.
1248
01:28:04,629 --> 01:28:06,629
♪♪ [ Disco ]
1249
01:28:15,591 --> 01:28:19,542
AFTER GETTING OFF
WITH JUST SIX MONTHS PROBATION,
GREG GAVE UP DEALING.
1250
01:28:19,611 --> 01:28:22,245
HE GOT A GOOD JOB
IN CONSTRUCTION.
HOW YOU DOIN' ?
1251
01:28:22,313 --> 01:28:25,681
- WHOA !
- [ Chattering ]
1252
01:28:25,751 --> 01:28:27,917
[ Man ]
♪ LET'S DO IT ♪
1253
01:28:29,805 --> 01:28:32,038
♪ LET'S DO IT ♪
1254
01:28:33,958 --> 01:28:35,976
♪ LET'S DO IT ♪
1255
01:28:37,980 --> 01:28:39,980
♪ LET'S DO IT ♪
1256
01:28:41,683 --> 01:28:45,534
♪ LET'S DO IT ♪
♪ OH, BABY ♪
1257
01:28:45,603 --> 01:28:48,504
♪ OOH, BABY ♪
♪ LET'S DO IT ♪
1258
01:28:48,573 --> 01:28:51,074
♪ TAKE YOUR TIME ♪
♪ LET'S DO IT ♪
1259
01:28:53,077 --> 01:28:57,113
♪ YOU KNOW YOU OUGHT
TO SLOW DOWN ♪♪
1260
01:28:57,182 --> 01:29:00,183
♪♪ [ Music Stops ]
[ Crowd Grumbling,
Murmuring ]
1261
01:29:03,822 --> 01:29:05,838
[ Audio Feedback ]
1262
01:29:07,276 --> 01:29:10,243
IT'S SO GOOD
TO SEE YOU AGAIN.
1263
01:29:10,312 --> 01:29:12,295
IT'S GREAT
TO BE BACK.
1264
01:29:20,522 --> 01:29:23,990
I WAS IN THE BAHAMAS,
YOU KNOW,
[ Crowd Laughs ]
1265
01:29:24,059 --> 01:29:28,795
ON A YEAR-AND-A-HALF
FORCED VACATION.
1266
01:29:28,863 --> 01:29:32,365
DON'T YOU LOVE MY
"CLUB FED" TAN ?
[ Snickers ]
1267
01:29:41,743 --> 01:29:44,544
I WANT YOU TO KNOW,
1268
01:29:44,612 --> 01:29:49,015
ONLY MY FRIENDS
ARE HERE TONIGHT.
1269
01:29:49,084 --> 01:29:53,203
BUT I DID PUT
MY PAROLE OFFICER
ON THE LIST.
1270
01:30:00,778 --> 01:30:02,912
YOU KNOW,
1271
01:30:02,980 --> 01:30:06,982
PRISON CAN BE
SO FUCKING DULL AT NIGHT.
1272
01:30:16,060 --> 01:30:21,097
I GUESS I JUST WANTED
TO WELCOME YOU ALL BACK
TO SAY,
1273
01:30:21,165 --> 01:30:26,068
THIS TIME I HOPE
IT DOES LAST FOREVER.
1274
01:30:26,137 --> 01:30:28,137
[ Cheering, Applause ]
1275
01:30:29,457 --> 01:30:33,726
LADIES AND GENTLEMEN,
WELCOME BACK.
1276
01:30:35,864 --> 01:30:38,865
♪ OOH ♪
1277
01:30:40,051 --> 01:30:42,052
♪ OOH, BABY ♪
1278
01:30:44,923 --> 01:30:48,458
♪ IF YOU COULD READ
MY MIND, LOVE ♪
1279
01:30:48,527 --> 01:30:52,328
♪ WHAT A TALE
MY THOUGHTS WOULD TELL ♪
1280
01:30:52,397 --> 01:30:55,831
♪ JUST LIKE
AN OLD-TIME MOVIE ♪
1281
01:30:55,900 --> 01:30:59,402
♪ 'BOUT A GHOST
FROM A WISHING WELL ♪
1282
01:30:59,471 --> 01:31:04,807
♪ IN A CASTLE DARK
OR A FORTRESS STRONG ♪
1283
01:31:04,876 --> 01:31:07,310
♪ WITH CHAINS
UPON MY FEET ♪
1284
01:31:07,378 --> 01:31:12,515
♪ YOU KNOW
THAT GHOST IS ME ♪
1285
01:31:12,584 --> 01:31:15,935
♪ I DON'T KNOW
WHERE WE WENT WRONG ♪
1286
01:31:15,987 --> 01:31:20,773
♪ BUT THE FEELING'S GONE
AND I JUST CAN'T GET IT BACK ♪
1287
01:31:24,913 --> 01:31:28,582
♪ IF YOU COULD
READ MY MIND, YEAH ♪
1288
01:31:28,650 --> 01:31:31,451
♪ IF YOU COULD READ
MY MIND, LOVE ♪
SHANE !
1289
01:31:31,520 --> 01:31:35,104
HOW YOU DOING ?
♪ WHAT A TALE MY THOUGHTS
COULD TELL ♪
1290
01:31:35,173 --> 01:31:39,876
♪ JUST LIKE
A PAPERBACK NOVEL ♪
1291
01:31:39,945 --> 01:31:43,029
♪ THE KIND
THE DRUGSTORE SELLS ♪
1292
01:31:43,098 --> 01:31:45,715
♪ WHEN YOU REACH
THE PART ♪
1293
01:31:45,783 --> 01:31:48,151
♪ WHERE THE HEARTACHE COMES ♪
1294
01:31:48,220 --> 01:31:51,454
♪ THE HERO WOULD BE YOU ♪
1295
01:31:51,523 --> 01:31:54,924
♪ BUT HEROES OFTEN FAIL ♪
1296
01:31:56,027 --> 01:31:58,694
♪ NEVER THOUGHT
I'D FEEL THIS WAY ♪
1297
01:31:58,763 --> 01:32:00,930
♪ AND I'VE GOT TO SAY ♪
1298
01:32:00,999 --> 01:32:03,399
♪ THAT I JUST
DON'T GET IT ♪
1299
01:32:03,468 --> 01:32:05,402
[ Shane ]
YOU SEE, STEVE RUBELL
HAD A DREAM,
1300
01:32:05,470 --> 01:32:08,487
BUT LIKE WITH ALL DREAMS,
YOU WAKE UP TO REALITY.
1301
01:32:08,557 --> 01:32:11,024
EVEN THOUGH STEVE
WAS JUST A CONSULTANT NOW,
1302
01:32:11,092 --> 01:32:13,810
THE NEW OWNERS
GAVE HIM THIS NIGHT,
THIS ONE NIGHT,
1303
01:32:13,879 --> 01:32:18,048
TO BRING ALL HIS FRIENDS BACK--
TO DO IT HIS WAY.
1304
01:32:18,116 --> 01:32:19,983
WE PRETENDED
NOTHING HAD CHANGED.
1305
01:32:20,052 --> 01:32:21,885
BUT IN REALITY,
1306
01:32:23,472 --> 01:32:25,405
THE PARTY WAS OVER.
1307
01:32:25,474 --> 01:32:28,741
♪ IF YOU COULD
IF YOU COULD ♪
♪ MY MIND ♪
1308
01:32:28,810 --> 01:32:32,645
♪ IF YOU COULD
READ MY MIND ♪
1309
01:32:32,714 --> 01:32:36,115
♪ IF YOU COULD
READ MY MIND, LOVE ♪
1310
01:32:36,184 --> 01:32:40,086
♪ WHAT A TALE
MY THOUGHTS WOULD TELL ♪
1311
01:32:40,155 --> 01:32:43,756
♪ JUST LIKE
AN OLD-TIME MOVIE ♪
1312
01:32:43,825 --> 01:32:48,028
♪ 'BOUT A GHOST
FROM A WISHING WELL ♪
1313
01:32:48,096 --> 01:32:50,730
♪ IF YOU COULD READ
MY MIND, LOVE ♪
1314
01:32:50,799 --> 01:32:55,301
♪ WHAT A TALE
MY THOUGHTS WOULD TELL ♪
1315
01:32:55,370 --> 01:32:59,105
♪ JUST LIKE
A PAPERBACK NOVEL ♪
1316
01:32:59,174 --> 01:33:02,625
♪ THE KIND
THE DRUGSTORE SELLS ♪
1317
01:33:02,694 --> 01:33:05,161
♪ WHEN YOU REACH THE PART ♪
1318
01:33:05,230 --> 01:33:07,397
♪ WHERE THE HEARTACHE COMES ♪
1319
01:33:07,466 --> 01:33:11,318
♪ THE HERO WOULD BE YOU ♪
1320
01:33:11,386 --> 01:33:15,621
♪ HEROES OFTEN FAIL ♪
1321
01:33:15,690 --> 01:33:18,524
♪ NEVER THOUGHT
I'D FEEL THIS WAY ♪
1322
01:33:18,593 --> 01:33:22,979
♪ AND I'VE GOT TO SAY
THAT I JUST DON'T GET IT ♪
1323
01:33:23,048 --> 01:33:26,182
♪ I DON'T KNOW
WHERE WE WENT WRONG ♪
1324
01:33:26,251 --> 01:33:30,886
♪ BUT THE FEELING'S GONE
AND I JUST CAN'T GET IT BACK ♪
1325
01:33:30,956 --> 01:33:34,857
♪ IF YOU COULD
IF YOU COULD ♪
1326
01:33:34,926 --> 01:33:38,527
♪ IF YOU COULD
READ MY MIND ♪
1327
01:33:38,596 --> 01:33:42,265
♪ IF YOU COULD
IF YOU COULD ♪
1328
01:33:42,334 --> 01:33:46,035
♪ IF YOU COULD
READ MY MIND ♪
1329
01:33:46,104 --> 01:33:49,605
♪ IF YOU COULD
IF YOU COULD ♪♪
1330
01:33:54,545 --> 01:33:56,746
[ Woman ]
♪ OH ♪
1331
01:33:57,749 --> 01:33:59,749
♪ MMM, AAH ♪
1332
01:34:02,587 --> 01:34:04,587
♪ OOH ♪
1333
01:34:07,659 --> 01:34:11,527
♪ MMM, OH, YEAH ♪
1334
01:34:16,100 --> 01:34:19,735
♪ I DON'T WANT TO LOSE
THIS GOOD THING ♪
1335
01:34:20,822 --> 01:34:22,738
♪ THAT I'VE GOT ♪
1336
01:34:22,807 --> 01:34:27,376
♪ 'CAUSE IF I DO
I WOULD SURELY ♪
1337
01:34:27,445 --> 01:34:29,445
♪ SURELY LOSE A LOT ♪
1338
01:34:29,514 --> 01:34:34,184
♪ 'CAUSE YOUR LOVE IS BETTER ♪
1339
01:34:34,252 --> 01:34:36,686
♪ THAN ANYTHING I KNOW ♪
1340
01:34:36,754 --> 01:34:38,822
♪ IT'S LIKE THUNDER ♪
1341
01:34:38,890 --> 01:34:41,024
♪ LIGHTNING ♪
1342
01:34:41,092 --> 01:34:43,226
♪ THE WAY YOU LOVE ME
IS FRIGHTENING ♪
1343
01:34:43,295 --> 01:34:45,695
♪ I BETTER KNOCK ♪
1344
01:34:47,132 --> 01:34:50,382
♪ ON WOOD
YEAH, BABY ♪
1345
01:34:50,452 --> 01:34:53,453
♪ OH, YEAH ♪
1346
01:34:53,521 --> 01:34:57,056
♪ I BETTER KNOCK
ON WOOD, BABY ♪
1347
01:34:57,124 --> 01:34:59,158
♪ I BELIEVE I WILL ♪
1348
01:34:59,226 --> 01:35:01,661
♪ I BELIEVE I WILL ♪
1349
01:35:01,729 --> 01:35:06,298
♪ OH, YEAH
OH, YEAH ♪
1350
01:35:06,367 --> 01:35:09,869
♪ THINK I BETTER
KNOCK ON WOOD ♪
1351
01:35:09,938 --> 01:35:13,072
♪ THINK I BETTER
BABY ♪
1352
01:35:13,140 --> 01:35:15,842
♪ RIGHT HERE
RIGHT NOW ♪
1353
01:35:15,910 --> 01:35:19,745
♪ I WANT YOU
TO LOVE ME ♪
1354
01:35:19,814 --> 01:35:24,350
♪ COME ON AND TOUCH ME
YEAH, YEAH ♪
1355
01:35:24,418 --> 01:35:26,586
♪ IT'S LIKE THUNDER ♪
1356
01:35:26,654 --> 01:35:28,754
♪ LIGHTNING ♪
1357
01:35:28,823 --> 01:35:31,323
♪ THE WAY YOU LOVE ME
IS FRIGHTENING ♪
1358
01:35:31,392 --> 01:35:34,727
♪ YOU BETTER KNOCK
KNOCK, KNOCK, KNOCK ♪
1359
01:35:34,796 --> 01:35:37,730
♪ ON WOOD, YEAH, BABY ♪
1360
01:35:37,799 --> 01:35:41,567
♪ OOH, YEAH ♪
1361
01:35:41,636 --> 01:35:44,837
♪ I BETTER
KNOCK ON WOOD, BABE ♪
1362
01:35:44,906 --> 01:35:47,957
♪ I BELIEVE I WILL
I BELIEVE I WILL ♪
1363
01:35:48,026 --> 01:35:51,010
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
1364
01:35:51,078 --> 01:35:53,879
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
1365
01:35:53,948 --> 01:35:57,716
♪ THINK YOU BETTER
KNOCK ON WOOD ♪
♪ KNOCK, KNOCK, KNOCK ON WOOD ♪
1366
01:35:57,785 --> 01:36:00,620
♪ I THINK I BETTER, BABY ♪
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪
1367
01:36:00,688 --> 01:36:03,822
♪ RIGHT HERE, RIGHT NOW ♪
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
1368
01:36:03,891 --> 01:36:07,059
♪ I WANT YOU TO LOVE ME ♪
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪
1369
01:36:07,128 --> 01:36:10,596
♪ COME ON AND TOUCH ME ♪
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
1370
01:36:10,665 --> 01:36:14,534
♪ YEAH ♪
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪
1371
01:36:14,602 --> 01:36:18,003
♪ I THINK I BETTER
COME ON, COME ON ♪
♪ KNOCK, KNOCK, KNOCK ON WOOD ♪
1372
01:36:18,072 --> 01:36:21,407
♪ COME ON, I BETTER ♪
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪
1373
01:36:21,476 --> 01:36:25,278
♪ I WANNA, YEAH, OH, YEAH ♪
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪
1374
01:36:25,346 --> 01:36:28,514
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
♪ I-I-I-I-I-I ♪
1375
01:36:28,583 --> 01:36:31,917
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪
♪ BETTER KNOCK ON WOOD ♪
1376
01:36:31,986 --> 01:36:35,388
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
♪ YEAH, KNOCK ON WOOD, BABY ♪
1377
01:36:35,456 --> 01:36:38,924
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪
♪ RIGHT HERE, RIGHT NOW ♪
1378
01:36:38,993 --> 01:36:43,028
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
♪ DON'T WANNA LOSE YOU, NO, NO ♪
1379
01:36:43,097 --> 01:36:46,232
♪ THINK YOU BETTER KNOCK, KNOCK
KNOCK ON WOOD ♪
♪ DON'T WANNA LOSE YOU, BABE ♪
1380
01:36:46,301 --> 01:36:48,967
♪ THINK YOU BETTER
KNOCK, KNOCK, KNOCK ON WOOD ♪♪
1381
01:36:59,280 --> 01:37:02,281
♪♪ [ Woman Vocalizing ]
1382
01:37:05,086 --> 01:37:09,856
♪ COME TO ME ♪
1383
01:37:09,924 --> 01:37:14,360
♪ WHEN THERE'S
NOBODY ELSE AROUND ♪
1384
01:37:14,429 --> 01:37:18,330
♪ COME TO ME ♪
1385
01:37:18,400 --> 01:37:22,902
♪ I'M STILL WAITING
OPEN-ARMED FOR YOU ♪
1386
01:37:22,970 --> 01:37:27,106
♪ COME TO ME ♪
1387
01:37:27,174 --> 01:37:30,376
♪ 'CAUSE I WILL COMFORT YOU ♪
1388
01:37:30,445 --> 01:37:34,514
♪ WHEN YOU'VE NO ONE
TO TURN TO ♪
1389
01:37:34,582 --> 01:37:39,985
♪ I WILL BE HERE
JUST FOR YOU ♪
1390
01:37:42,490 --> 01:37:45,825
♪ COME TO ME ♪
1391
01:37:45,894 --> 01:37:50,062
♪ WHEN YOUR WORLD IS
EMPTY AND COLD ♪
1392
01:37:50,131 --> 01:37:53,433
♪ COME TO ME ♪
1393
01:37:53,501 --> 01:37:56,903
♪ WHEN YOU NEED SOMEONE
YOU WANT TO HOLD ♪
1394
01:37:56,971 --> 01:38:00,873
♪ COME TO ME ♪
1395
01:38:00,942 --> 01:38:04,510
♪ IN MY ARMS I WILL KEEP YOU
SAFE AND WARM ♪
1396
01:38:04,579 --> 01:38:08,147
♪ COME TO ME ♪
1397
01:38:08,215 --> 01:38:11,016
♪ I WILL SHELTER YOU
FROM THE STORM ♪
1398
01:38:11,085 --> 01:38:14,754
♪ I'M NOT ONE TO PRETEND ♪
1399
01:38:14,823 --> 01:38:18,591
♪ WHY CAN'T YOU UNDERSTAND ♪
1400
01:38:18,660 --> 01:38:22,394
♪ THAT I LOVE YOU ♪
1401
01:38:22,464 --> 01:38:25,832
♪ AND I LOVE YOU ♪
1402
01:38:25,900 --> 01:38:28,300
♪ AND I NEED YOU ♪
1403
01:38:29,804 --> 01:38:33,506
♪ AND I WANT YOU ♪
1404
01:38:33,575 --> 01:38:37,009
♪ AND I LOVE YOU ♪
1405
01:38:37,078 --> 01:38:40,680
♪ AND I LOVE YOU ♪
1406
01:38:40,748 --> 01:38:44,183
♪ AND I NEED YOU ♪
1407
01:38:44,251 --> 01:38:47,553
♪ AND I WANT YOU ♪
1408
01:38:47,622 --> 01:38:51,624
♪ COME TO ME ♪
1409
01:38:51,693 --> 01:38:54,527
♪ OH, BABY ♪
1410
01:38:58,432 --> 01:39:02,234
♪ COME TO ME ♪
1411
01:39:02,303 --> 01:39:05,972
♪ WHEN YOUR WORLD IS
EMPTY AND COLD ♪
1412
01:39:06,040 --> 01:39:09,675
♪ COME TO ME ♪
1413
01:39:09,744 --> 01:39:12,845
♪ WHEN YOU NEED SOMEONE
YOU WANT TO HOLD ♪
1414
01:39:12,914 --> 01:39:16,849
♪ COME TO ME ♪
1415
01:39:16,918 --> 01:39:20,419
♪ IN MY ARMS I WILL KEEP YOU
SAFE AND WARM ♪
1416
01:39:20,488 --> 01:39:24,189
♪ COME TO ME ♪
1417
01:39:24,258 --> 01:39:27,292
♪ I WILL SHELTER YOU
FROM THE STORM ♪
1418
01:39:27,361 --> 01:39:30,863
♪ I'M NOT ONE TO PRETEND ♪
1419
01:39:30,932 --> 01:39:34,734
♪ WHY CAN'T YOU UNDERSTAND ♪
1420
01:39:34,802 --> 01:39:38,604
♪ THAT I LOVE YOU ♪
1421
01:39:38,673 --> 01:39:42,107
♪ AND I LOVE YOU ♪
1422
01:39:42,176 --> 01:39:45,845
♪ AND I NEED YOU ♪
1423
01:39:45,914 --> 01:39:49,314
♪ AND I LOVE YOU ♪
1424
01:39:49,383 --> 01:39:52,184
♪ COME TO ME ♪
1425
01:39:54,856 --> 01:39:55,922
♪ COME ON, BABY ♪
1426
01:39:55,990 --> 01:40:00,226
♪ I NEED YOU ♪
1427
01:40:00,294 --> 01:40:04,380
♪ AND I NEED YOU ♪♪